Cognitive Narrative Thematics
Language: English
Published by Taylor and Francis Ltd, GB, 2025
- Softcover
- New

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AbeBooks seller since June 11, 2025
Condition: New
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Add to basketItem description from seller
Cognitive Narratives Thematics proposes a new way in which narrative works organise their thematic material. It rehabilitates the study of what books are about by providing a cognitive narrative thematic model (CNT). Part I presents CNT by combining different approaches to narrative, such as evolutionary theory, semiotics, possible worlds theory, or rhetorical criticism. Part II applies CNT to a variety of well-known narratives in different modalities, such as Robert Browning's "My Last Duchess", Julia Donaldson's The Gruffalo, Maurice Sendak's Where the Wild Things Are, Frank Miller's 300, or Mike Mignola's Hellboy. It also considers literary histories and digital humanities. Daniel Candel shows that CNT deserves greater attention and that thematics generates its own forms and adds to the aesthetic pleasure of the text. Candel illustrates that CNT improves the established interpretations of the narrative works it studies.This innovative study reveals how CNT offers readers a deeper understanding, and how readers and critics are often using CNT intuitively without being aware of it. It is an invaluable resource for students and scholars of narrative theory.…
Seller Inventory # LU-9781032436388
- Title
- Cognitive Narrative Thematics
- Author
- Daniel Candel
- Publisher
- Taylor and Francis Ltd, GB
- Publication year
- 2025
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 1032436387
- ISBN 13
- 9781032436388
- Item weight
- 340 grams
Cognitive Narratives Thematics proposes a new way in which narrative works organise their thematic material. It rehabilitates the study of what books are about by providing a cognitive narrative thematic model (CNT).
Part I presents CNT by combining different approaches to narrative, such as evolutionary theory, semiotics, possible worlds theory, or rhetorical criticism. Part II applies CNT to a variety of well-known narratives in different modalities, such as Robert Browning’s "My Last Duchess", Julia Donaldson’s The Gruffalo, Maurice Sendak’s Where the Wild Things Are, Frank Miller’s 300, or Mike Mignola’s Hellboy. It also considers literary histories and digital humanities. Daniel Candel shows that CNT deserves greater attention and that thematics generates its own forms and adds to the aesthetic pleasure of the text. Candel illustrates that CNT improves the established interpretations of the narrative works it studies.
This innovative study reveals how CNT offers readers a deeper understanding, and how readers and critics are often using CNT intuitively without being aware of it. It is an invaluable resource for students and scholars of narrative theory.
"Synopsis" may belong to another edition of this title.
About the Author
Daniel Candel is Professor of English literature at the Universidad de Alcalá, Spain. He has published widely in journals such as Poetics Today, Semiotica, English Text Construction and Style.
"About the title" may belong to another edition of this title.
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