Cole Porter: The Definitive Biography

The definitive biography of Cole Porter – the urbane American composer of musical comedies and of over 1000 songs – which reveals the darker side of the star whose life and work epitomizes the romance of Café Society.

Cole Porter – composer of Night and Day, Easy to Love and I’ve Got You Under My Skin – is familiar to three generations. His tunes conjure up romance, glamour and cultivated sensuality.

William McBrien charts Porter’s life, beginning on a fruit farm in Indiana and moving on to Yale, Harvard and the Paris Conservatoire. After roaming bohemian Europe for a decade with his rich and beautiful wife, Porter made his name in the 1930s with hit shows like Anything Goes. A riding accident left him in constant pain, but he continued to write shows like Kiss Me Kate and Silk Stockings until his death in 1964.

McBrien contrasts Porter’s refined, elegant music with the pain and passion of a life which mixed devotion to his wife with numerous homosexual love affairs. Having talked to friends and colleagues (including Bob Hope, Diana Vreeland, Stephen Sondheim) who have never spoken about him before, and researched Porter’s lyrics and correspondence, McBrien makes new links between his life and work, revealing how his own particular brand of hedonism was his protection against encroaching darkness.

It's not quite as witty as a Porter song (who could equal the incomparable Cole?), but this thorough biography honors the Broadway musical's worldliest, most intelligent composer by taking him seriously. Voluminous research buttresses William McBrien's portrait of a charmed life scarred by tragedy. Born in 1891, Porter left his wealthy family in Indiana to thoroughly enjoy himself at Yale University in Connecticut, where his sassy songs gave the Midwestern outsider social clout. Although exclusively homosexual, Porter was nonetheless devoted to the wealthy widow he married in 1919, and McBrien's narrative of their 1920s travels through Europe captures the glamorous sheen of their life together. Porter had some early success with shows like Fifty Million Frenchmen, but his sustained run of hits began in 1932 with Gay Divorce, continuing through the '50s and Kiss Me Kate. The author liberally quotes from Porter's deliciously naughty lyrics, reminding us how corny most show tunes seem when compared to "Love for Sale" or "Anything Goes." McBrien's painful account of the ghastly aftermath of a 1937 riding accident, which left Porter in pain that ended only with his death in 1964, reveals a quiet, uncomplaining stoic whose substance matched his dazzling style. --Wendy Smith