Collected Poems. This item is unavailable.
Language: English
Published by HarpPeren, 1981
- Softcover
- Used

Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)
AbeBooks seller since December 20, 2007
Condition: Used - Very good
US$ 6.90
Item description from seller
Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Seller Inventory # 00105246581
- Title
- Collected Poems
- Author
- Edna St. Vincent Millay
- Publisher
- HarpPeren
- Publication year
- 1981
- Condition
- Very Good
- Binding
- Soft cover
- Language
- English
- ISBN 10
- 0060908890
- ISBN 13
- 9780060908898
“First Fig” from A Few Figs from Thistles (1920)
Alongside Robert Frost, T.S. Eliot, Marianne Moore, and E. E. Cummings, Edna St. Vincent Millay remains among the most celebrated poets of the early twentieth century for her uniquely lyrical explorations of love, individuality, and artistic expression. This invaluable compendium of her work is not only an essential addition to any collection of the world’s most moving and memorable poetry but an unprecedented look into her life.
"Synopsis" may belong to another edition of this title.
About the Author
After graduating in 1917 she lived in Greenwich Village in New York for a few years, acting, writing satirical pieces for journals (usually under a pseudonym), and continuing to work at her poetry. She traveled in Europe throughout 1921-22 as a "foreign correspondent" for Vanity Fair. Her collection A Few Figs from Thistles (1920) gained her a reputation for hedonistic wit and cynicism, but her other collections (including the earlier Renascence and Other Poems [1917]) are without exception more seriously passionate or reflective.
In 1923 she married Eugene Boissevain and -- after further travel -- embarked on a series of reading tours which helped to consolidate her nationwide renown. From 1925 onwards she lived at Steepletop, a farmstead in Austerlitz, New York, where her husband protected her from all responsibilities except her creative work. Often involved in feminist or political causes (including the Sacco-Vanzetti case of 1927), she turned to writing anti-fascist propaganda poetry in 1940 and further damaged a reputation already in decline. In her last years of her life she became more withdrawn and isolated, and her health, which had never been robust, became increasingly poor.
She died in 1950.
"About the title" may belong to another edition of this title.