Synopsis
Gustavo Adolfo Becquer was one of Spain's most important poets of the 19th century, and the instigator of a new Spanish version of Romanticism, influenced by German models such as Heine. Born in Seville in 1836, the son of an artist of Flemish origin, he lived only 34 years, but in that time created a hugely influential body of verse (his Rimas, or Rhymes) as well as several short fictions (the Leyendas, or Legends). His other works include a remarkable series of letters, or epistolary fictions, published as Desde mi celda (From My Cell). Orphaned at the age of five, Becquer was raised by an elderly, and childless, uncle. A talented artist himself - as was also his brother, Valeriano - he became a pupil at a local studio in Seville, but gave this up in favour of a literary career, heading for Madrid at the age of eighteen, full of hope. He obtained a minor post in the civil-service, thanks to his uncle's influence, but was not cut out for such a routine job and was dismissed. For some time thereafter he was a typical Bohemian artist, living on very little while trying to write, and scratching a small income from the translation of foreign novels, and from part-time journalism. Towards the end of his life he obtained another government post, as a censor, but when he died, it was in considerable poverty, suffering from pneumonia and liver problems. His work was only published posthumously, thanks to the efforts of his friends.
About the Authors
Gustavo Adolfo Bécquer was one of Spain's most important poets of the 19th century, and the instigator of a new Spanish version of Romanticism, influenced by German models such as Heine. Born in Seville in 1836, the son of an artist of Flemish origin, he lived only 34 years but in that time created a hugely influential body of verse (his Rimas, or Rhymes) as well as several short fictions (the Leyendas, or Legends). His other works include a remarkable series of letters, or epistolary fictions, published as Desde mi celda (From My Cell).Orphaned at the age of five, Bécquer was raised by an elderly, and childless, uncle. A talented artist himself - as was also his brother, Valeriano - he became a pupil at a local studio in Seville, but gave this up in favour of a literary career, heading for Madrid at the age of eighteen, full of hope. He obtained a minor post in the civil-service, thanks to his uncle's influence, but was not cut out for such a routine job and was dismissed. For some time thereafter he was a typical Bohemian artist, living on very little while trying to write, and scratching a small income from the translation of foreign novels, and from part-time journalism. Towards the end of his life he obtained another government post, as a censor, but when he died, it was in considerable poverty, suffering from pneumonia and liver problems. His work was only published posthumously, thanks to the efforts of his friends.
Luis Ingelmo was born in Palencia in 1970, raised in Salamanca, and holds a Master's Degree in English Philology (Universidad de Salamanca), a Master's Degree in Philosophy (UNED, Madrid) and a Master's Degree in Education (DePaul University, Chicago). He lived in the United States for seven years, six of which he spent in Chicago as a teacher of Spanish. He now lives in Zamora, Spain, and is a teacher of English. He writes for several Spanish journals (poetry, articles and reviews) and is the author of a book of short stories, La métrica del olvido.
Michael Smith (1942-2014) was a poet who gave a lifetime of service to the art of poetry both in English and Spanish. He has been described as a classical modernist, a poet of modern life. Born in Dublin, Michael was the founder of New Writers' Press in 1967 and was responsible for the publication of over 100 books and magazines. He was keen to promote the modernist tradition in Irish poetry, publishing the work of Thomas MacGreevy, Brian Coffey, Denis Devlin, Anthony Cronin and Michael Hartnett, among others. He was founder and editor of the influential literary magazine The Lace Curtain.
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