The Collected Works of Harold Clurman: Six Decades of Commentary on Theatre, Dance, Music, Film, Arts and Letters

For six decades, Harold Clurman illuminated our artistic, social, and political awareness in thousands of reviews, essays, and lectures. His work appeared indefatigably in The Nation, The New Republic, The London Observer, The New York Times, Harper's, Esquire, New York Magazine, and more. The Collected Works of Harold Clurman captures over six hundred of Clurman's encounters with the most significant events in American theatre – as well as his regular passionate embraces of dance, music, art and film. This chronological epic offers the most comprehensive view of American theatre seen through the eyes of our most extraordinary critic. 1102 pages, hardcover.

Cofounder of the Group Theatre and director of such notable plays as Clifford Odets's Awake and Sing! and Carson McCullers's Member of the Wedding , Clurman (1901-1980) also reviewed other people's theatrical endeavors, primarily for the Nation and the New Republic . Virtually every article in this comprehensive collection exudes the wide-ranging curiosity and deep knowledge of all the arts and their history that led many to regard Clurman as the finest drama critic of his day. (The book also contains a smattering of material on painting, music, film and ballet.) It's unfortunate that such fine work is ill-served by the editors of this collection. TV writer/producer Loggia and Applause Books publisher Young provide no biographical information and hardly any annotation to clarify references and sources; as a result, Clurman's astute commentary floats in a historical vacuum that would have appalled its author, who firmly believed that all art has a social context. The editors also do Clurman a disservice by their lack of selectivity: his cogent analysis of the commercial theater's shortcomings loses its force by being repeated virtually unchanged in several essays, and the appendices (which clumsily violate the book's chronological structure) could have been eliminated altogether. Still, those who care about theater and criticism will savor Clurman's passionate, pointed prose.

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