Collected Works of W.B. Yeats, Vol. XIII : A Vision- the Original 1925 Version

W.B. Yeats, (Editor) Catherine Paul, (Editor) Margaret Mills Harper

ISBN 10: 0684807335 / ISBN 13: 9780684807331

Published by SCRIBNER, 2008

About this Item

Edited by Yeats scholars Catherine E. Paul & Margaret Mills Harper, this restored version of W.B. Yeats's greatest occult work, 'A Vision', presents the 'system of philosophy, psychology, history, and the life of the soul that Yeats and his wife George received and created by means of mediumistic experiments from 1917 through the 1920s. The original 1925 manuscript, poetic, unpolished, masked in fiction, and close to the excitement of the automatic writing that the Yeatses believed to be its supernatural orgin, is here presented in a scholarly edition for the first time complete with original drawings.

Seller Inventory # 1574220

Bibliographic Details

• Title: Collected Works of W.B. Yeats, Vol. XIII : A Vision- the Original 1925 Version
• Publisher: SCRIBNER
• Publication Date: 2008
• Language: English
• ISBN 10: 0684807335
• ISBN 13: 9780684807331
• Binding: Hardcover
• Condition: Good
• Seller catalogs:
  • LIT NON FICTION-ESSAYS

About this title

Synopsis

The Collected Works of W. B. Yeats, Volume XIII: A Vision is part of a fourteen-volume series under the general editorship of eminent Yeats scholar George Bornstein and formerly the late Richard J. Finneran and George Mills Harper. One of the strangest works of literary modernism, A Vision is Yeats's greatest occult work.

Edited by Yeats scholars Catherine E. Paul and Margaret Mills Harper, the volume presents the "system" of philosophy, psychology, history, and the life of the soul that Yeats and his wife George (née Hyde Lees) received and created by means of mediumistic experiments from 1917 through the early 1920s. Yeats obsessively revised the book, and the revised 1937 version is much more widely available than its predecessor. The original 1925 version of A Vision, poetic, unpolished, masked in fiction, and close to the excitement of the automatic writing that the Yeatses believed to be its supernatural origin, is presented here in a scholarly edition for the first time.

The text, minimally corrected to retain the sense of the original, is extensively annotated, with particular attention paid to the relationship between the published book and its complex genetic materials. Indispensable to an understanding of the poet's late work and entrancing on its own merit, A Vision aims to be, all at once, a work of theoretical history, an esoteric philosophy, an aesthetic symbology, a psychological schema, and a sacred book. It is as difficult as it is essential reading for any student of Yeats.

About the Author

William Butler Yeats is generally considered to be Ireland’s greatest poet, living or dead, and one of the most important literary figures of the twentieth century. He was awarded the Nobel Prize in Literature in 1923.

Catherine E. Paul is Associate Professor of English at Clemson University. She is the author of Poetry in the Museums of Modernism: Yeats, Pound, Moore, Stein and of numerous articles relating to modernist studies.

Margaret Mills Harper, a coeditor of  Yeat’s “Vision” Papers (volumes 3 and 4), is the author of Wisdom of Two: The Spiritual and Literary Collaboration of George and W.B. Yeats, The Aristocracy of Art in Joyce and Wolfe, and numerous articles on Yeats, Irish literature, and literary modernism. She is Professor of English and Women’s Studies at Georgia State University.