The Colour of Rain (Paperback)

Susan Utting

ISBN 10: 191504815X / ISBN 13: 9781915048158

Published by Two Rivers Press, Reading, 2024

About this Item

Paperback. The Colour of Rain is Susan Uttings fifth full collection, following her New and Selected, Half the Human Race. Here she demonstrates a new-found intimacy with the natural world, a closeness that leads her to become part of it. She becomes a Willow Sister, joins an avenue of poplars, has conversations with bees. And while nature is joyfully celebrated, poems also lament its losses: felled trees. disappearing species, Rachel Carsons all too present Silent Spring.The poets trademark musicality and dancing rhythms are in evidence throughout the collections four sections. Her fascination with language, its sounds and resonances, demonstrate reviewer Philip Grosss comment that Utting unashamedly loves language, and it seems to love her back. The Colour of Rain is Susan Uttings fifth full collection of poetry, following her New and Selected, Half the Human Race. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9781915048158

Bibliographic Details

• Title: The Colour of Rain (Paperback)
• Publisher: Two Rivers Press, Reading
• Publication Date: 2024
• Language: English
• ISBN 10: 191504815X
• ISBN 13: 9781915048158
• Binding: Paperback
• Condition: new

About this title

Synopsis

The Colour of Rain is Susan Utting’s fifth full collection, following her New and Selected, Half the Human Race. Here she demonstrates a new-found intimacy with the natural world, a closeness that leads her to become part of it. She ‘becomes’ a Willow Sister, joins an avenue of poplars, has conversations with bees. And while nature is joyfully celebrated, poems also lament its losses: felled trees. disappearing species, Rachel Carson’s all too present ‘Silent Spring’.

The poet’s trademark musicality and dancing rhythms are in evidence throughout the collection’s four sections. Her fascination with language, its sounds and resonances, demonstrate reviewer Philip Gross’s comment that ‘Utting unashamedly loves language, and it seems to love her back.’