The Complete Works of W. H. Auden, Volume III: Prose: 1949-1955
W. H. Auden
Sold by Kennys Bookstore, Olney, MD, U.S.A.
AbeBooks Seller since October 9, 2009
New - Hardcover
Condition: New
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Add to basketSold by Kennys Bookstore, Olney, MD, U.S.A.
AbeBooks Seller since October 9, 2009
Condition: New
Quantity: 1 available
Add to basket2008. First Edition. Hardcover. Contains various of W H Auden's prose works from 1949 through 1955, including various essays that exemplify his range, wit, depth, and wisdom. This book includes the text of Auden's first separately published prose book, "The Enchafed Flood", or, "The Romantic Iconography of the Sea", followed by more than one hundred essays, reviews and lectures. Editor(s): Mendelson, Professor Edward. Series: The Complete Works of W.H. Auden. Num Pages: 824 pages. BIC Classification: DNF. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 236 x 164 x 48. Weight in Grams: 1266. . . . . . Books ship from the US and Ireland.
Seller Inventory # V9780691133263
This volume contains all of W. H. Auden's prose works from 1949 through 1955, including many little-known essays that exemplify his range, wit, depth, and wisdom. The book includes the complete text of Auden's first separately published prose book, The Enchafèd Flood, or, The Romantic Iconography of the Sea, followed by more than one hundred separate essays, reviews, introductions, and lectures, as well as a questionnaire (complete with his own answers) about the reader's fantasy version of Eden. Two reviews that Auden wrote for the New Yorker, but which the magazine never printed, appear here for the first time, and a series of aphorisms previously published only in a French translation are printed in English. Among the previously unpublished lectures is a long account of the composition of his poem "Prime," complete with his comments on early rejected drafts.
The variety of style and subject in this book is almost inexhaustible. Auden writes about the imaginary mirrors that everyone carries through life; French existentialism and New Yorker cartoons; Freud, Kierkegaard, Dostoyevsky, and Camus; Keats, Cervantes, Melville, Colette, Byron, Virgil, Yeats, Tolkien, and Virginia Woolf; opera, ballet, cinema, prosody, and music; English and American poetry and society; and politics and religion.
The introduction by Edward Mendelson places the essays in biographical and historical context, and the extensive textual notes explain obscure contemporary references and provide an often-amusing history of Auden's work as an editor of anthologies and a series of books by younger poets.
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