Composition : Pure Data as a Meta-Compositional Instrument

Michael Barkl

ISBN 10: 3838316479 / ISBN 13: 9783838316475

Published by LAP LAMBERT Academic Publishing, 2009

About this Item

nach der Bestellung gedruckt Neuware - Printed after ordering - The aim of Composition: Pure Data as a Meta-Compositional Instrument was to compose a folio of original electronic pieces that used Miller Puckette s open source program Pure Data (Pd) as a meta-compositional instrument : that is, as a vehicle for documenting the creative process in a graphical way as a type of analytical notation. The pieces extended and explored creative aspects of my previous compositional research into binary processes, symmetry, and complementary pairs, using only sine tone frequencies based on the higher partials of sub-audio fundamentals. It was shown that a composition in Pd can explicitly reveal its own construction and interrelation of compositional elements, providing a kind of descriptive analysis of the work. Moreover, Pd was shown to be suitable for large scale, multi-sectional projects.

Seller Inventory # 9783838316475

Bibliographic Details

• Title: Composition : Pure Data as a Meta-Compositional Instrument
• Publisher: LAP LAMBERT Academic Publishing
• Publication Date: 2009
• Language: English
• ISBN 10: 3838316479
• ISBN 13: 9783838316475
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 220W x 150H x 10D millimeters 220 millimeters width by 150 millimeters height by 10 millimeters depth
• Weight: 244 grams

About this title

Synopsis

The aim of ?Composition: Pure Data as a Meta-Compositional Instrument? was to compose a folio of original electronic pieces that used Miller Puckette?s open source program Pure Data (Pd) as a ?meta-compositional instrument?: that is, as a vehicle for documenting the creative process in a graphical way as a type of analytical notation. The pieces extended and explored creative aspects of my previous compositional research into binary processes, symmetry, and complementary pairs, using only sine tone frequencies based on the higher partials of sub-audio fundamentals. It was shown that a composition in Pd can explicitly reveal its own construction and interrelation of compositional elements, providing a kind of descriptive analysis of the work. Moreover, Pd was shown to be suitable for large scale, multi-sectional projects.

About the Author

Michael Barkl (PhD, DCA) is an Australian composer born in Sydney. His works, which investigate the interplay of modernist and popular materials, have been performed by Michael Kieran Harvey, Sally Mays, James Wishart, Elision, Synergy, The Ensemble InterContemporain and the Adelaide, Tasmanian and Western Australian Symphony Orchestras.