A ground-breaking investigation of how new technological developments have influenced the creative possibilities of composers of computer music in the last 50 years.

About the Author

Michael Clarke is Professor of Music at the University of Huddersfield, UK where he is currently Director of the IRiMaS project (Interactive Research in Music as Sound), funded by a European Research Council (ERC) Advanced Grant.

Fr�d�ric Dufeu is Senior Research Fellow in Music and Music Technology at the University of Huddersfield and currently working on the IRiMaS project .

Peter Manning is Emeritus Professor of Music at Durham University.

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