Only Connect Art & the Spectator in the Italian Renaissance: Art and the Spectator in the Italian Renaissance

Shearman, J.

ISBN 10: 0691019177 / ISBN 13: 9780691019178

Published by Princeton University Press, 1994

About this Item

This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780691019178.

Seller Inventory # 8618442

Bibliographic Details

• Title: Only Connect Art & the Spectator in the Italian Renaissance: Art and the Spectator in the Italian Renaissance
• Publisher: Princeton University Press
• Publication Date: 1994
• Language: English
• ISBN 10: 0691019177
• ISBN 13: 9780691019178
• Binding: Soft cover
• Condition: Poor
• Weight: 800 grams
• Seller catalogs:
  • Art

About this title

Synopsis

A leading art historian’s plea for a more engaged reading of Italian Renaissance art

Only Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman’s concern is mostly with anterior relationships with the viewer―that is, relationships conceived and constructed as part of a work’s design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention.

Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period.

About the Author

John Shearman (1931–2003) was the Charles Adams University Professor Emeritus at Harvard University and the author of many books, including Raphael in Early Modern Sources, 1483–1602; The Early Italian Pictures in the Collection of Her Majesty the Queen; and Mannerism.