Consequences

Alex Clare is awkward and oversensitive and gets everything wrong; she refuses to marry the only young man who ‘offers’ and believes there is nothing left for her but to enter a convent. But that is not quite the end of her tragic story. Nor was it for EM Delafield, who also entered a convent for a year; but in her case she was able to find freedom through working as a VAD in an army hospital, ‘which was emancipation of the most delirious kind. It was occupation, it was self-respect.’

Like Lytton Strachey’s Eminent Victorians, written at the same time, Consequences is a scream of horror against Victorian values; however, its ironic tone cannot disguise EM Delafield’s deeply compassionate and feminist stance.

Excerpt:
Quite right, Miss Alex; what a clever girl, to be sure. Here, Master Baby, you can play with me. You're too little to do it all by yourself.

He isn't Baby any more. We've got to call him Archie now. The new little Sister is Baby, said Alex dictatorially.

Born to Count Henry de la Pasture and his novelist wife, Delafield (1890-1943) was brought up according to strict Late Victorian precepts, but failing to ensnare a husband, she entered a convent in Belgium the moment she was 21. Having recovered from this experience she became a VAD, (voluntary nursing for the war effort) and wrote her first novel. Delafield started publishing in her mid twenties and the year her fourth novel Consequences was published, she married Paul Dashwood, a civil engineer turned land agent; three years in Malaya was followed by life in rural Devon. Many of her novels and short stories are semi-autobiographical or stem from her experiences living abroad and in the rural countryside.