The Construction of Memory in Interwar France

Daniel J. Sherman

ISBN 10: 0226752860 / ISBN 13: 9780226752860

Published by The University Of Chicago Press Nov 2001, 2001

About this Item

Neuware - AbbreviationsList of IllustrationsAcknowledgmentsIntroduction: The Emergence of Commemoration1. Experience and MemoryNarrating WarSeeing MemoryLasting Impressions2. Bodies and NamesAn Immense NecropolisInscribing Absence'This Precious Patrimony'3. Making a SacrificeStructuresResourcesThe Broken Plaque4. Seeing the Signified'A Kind of Anguished Terror': Salons, Critics and Artists'An Artistic Character': Prefectoral Review Boards and Provincial Standards'All My Designs Are Approved': The Business of Commemoration'So Superior to Panegyrics': Monuments and Meanings5. Contested SpacesSites of CommemorationFor God and Country Making It LocalRequiems for an Elm Tree6. DedicationPatterns of CeremonyThe Dead and the LivingThe Power of MemoryEpilogueThe Thirties: Dying of the LightThe Sixties: Memory into History The Nineties: Return of the RepressedNotesIndex.

Seller Inventory # 9780226752860

Bibliographic Details

• Title: The Construction of Memory in Interwar France
• Publisher: The University Of Chicago Press Nov 2001
• Publication Date: 2001
• Language: English
• ISBN 10: 0226752860
• ISBN 13: 9780226752860
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 255W x 180H x 23D millimeters 255 millimeters width by 180 millimeters height by 23 millimeters depth
• Weight: 1032 grams

About this title

Synopsis

One of the bloodiest conflicts in human history, World War I devastated France, leaving behind battlefields littered with the remains of the dead. Daniel Sherman takes a close look at the human impact of this Great War by examining the ways in which the French remembered their veterans and war dead after the armistice. Arguing that memory is more than just a record of experience, Sherman's cultural history offers a radically new perspective on how commemoration of WWI helped to shape postwar French society and politics.

Sherman shows how a wartime visual culture saturated with images of ordinary foot soldiers, together with contemporary novels, memoirs, and tourist literature, promoted a distinctive notion of combat experience. The contrast between battlefield and home front, soldier and civilian was the basis for memory and collective gratitude. Postwar commemoration, however, also grew directly out of the long and agonized search for the remains of hundreds of thousands of missing soldiers, and the sometimes contentious debates over where to bury them. For this reason, the local monument, with its inscribed list of names and its functional resemblance to tombstones, emerged as the focal point of commemorative practice. Sherman traces every step in the process of monument building as he analyzes commemoration's competing goals—to pay tribute to the dead, to console the bereaved, and to incorporate mourners' individual memories into a larger political discourse.

Extensively illustrated, Sherman's study offers a visual record of a remarkable moment in the history of public art. It is at once a moving account of a culture haunted by war and a sophisticated analysis of the political stakes of memory in the twentieth century.

Winner of the 2000 J. Russell Major Prize of the American Historical Association

About the Author

Daniel J. Sherman is the Lineberger Distinguished Professor of Art History and History at the University of North Carolina, Chapel Hill. He is the author of, among other books, The Construction of Memory in Interwar France and French Primitivism and the Ends of Empire, 1945–1975, both published by the University of Chicago Press.