El Constructivismo
Language: English
Published by Editorial Tenov S.L., ES, 2022
- Softcover
- New

Seller: Rarewaves.com USA, London, London, United KingdomRarewaves.com USA
AbeBooks seller since June 11, 2025
Condition: New
US$ 41.69
Quantity: 2 available
Add to basketItem description from seller
Published in 1922 in Russian, Aleksei Gan's Constructivism was the first theoretical treatise of postrevolutionary Russia's emergent Constructivist movement. Fired with revolutionary zeal, it was unquestionably a declaration of war on traditional bourgeois art.Constructivism recasts artists and architects as Constructors, turning away from aesthetic or speculative problems in art and instead focusing on the fusion of art with everyday life in order to create a functional system of design, one in keeping with the great task of building the new communist society. This edition replicates Gan's original layout, which was one of the first experiments in Constructivist typography and graphic design, and it also presents a substantial introductory essay by art historian Christina Lodder that examines Gan's own odd, mercurial character and the tracks he left across avant-garde Russian graphics, architecture, film, and theater.Nearly a century later, Constructivism remains a powerful manifesto, and this new translation will help scholars trace its enduring influence on twentieth-century art and design. …
Seller Inventory # LU-9788493923136
- Title
- El Constructivismo
- Author
- Aleksei Gan, Christina Lodder
- Publisher
- Editorial Tenov S.L., ES
- Publication year
- 2022
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 8493923133
- ISBN 13
- 9788493923136
- Item weight
- 254 grams
- Dimensions
- 15.24 x 1.78 x 20.32 cm
Constructivism recasts artists and architects as Constructors, turning away from aesthetic or speculative problems in art and instead focusing on the fusion of art with everyday life in order to create a functional system of design, one in keeping with the great task of building the new communist society. This edition replicates Gan’s original layout, which was one of the first experiments in Constructivist typography and graphic design, and it also presents a substantial introductory essay by art historian Christina Lodder that examines Gan’s own odd, mercurial character and the tracks he left across avant-garde Russian graphics, architecture, film, and theater.
Nearly a century later, Constructivism remains a powerful manifesto, and this new translation will help scholars trace its enduring influence on twentieth-century art and design.
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