The Contingency Plan: Two plays (NHB Modern Plays)

A double bill of plays from the frontline of climate change—an epic portrait of Britain in the grip of unprecedented and catastrophic floods.

In On the Beach, glaciologist Will has followed in his father's footsteps, dedicating himself to studying climate change. Back from Antarctica, he visits his parents on the Norfolk coast. With catastrophic flooding growing more likely by the day, he has news that forces long-submerged secrets to rise to the surface.

In Resilience, Will, freshly appointed as a scientific advisor, is in Westminster and he's out of his depth. Surrounded by ministers manoeuvring to impress, and with the threat of environmental disaster, can he get them to listen before it's too late?

Impressive in scale and chilling as a prediction of our immediate future, the two plays are complementary but can also stand alone.

Steve Waters' The Contingency Plan was first performed at the Bush Theatre, London, in 2009, and shortlisted for the John Whiting Award. It was revived, in this fully revised and updated version, at Sheffield Theatres in 2022, directed by Caroline Steinbeis and Chelsea Walker.

Steve Waters is a playwright whose plays include: The Last King of Scotland, adapted from the novel by Giles Foden (Sheffield Theatres, 2019); Limehouse (Donmar Warehouse, 2017); Temple (Donmar Warehouse, 2015); Why Can’t We Live Together? (Menagerie Theatre/Soho/Theatre503, 2013); Europa, as co-author (Birmingham Repertory Theatre/Dresden State Theatre/Teatr Polski Bydgoszcz/Zagreb Youth Theatre, 2013); Ignorance/Jahiliyyah (Hampstead Downstairs, 2012); Little Platoons (Bush Theatre, 2011); The Contingency Plan (Bush Theatre, 2009; revived in a new version at Sheffield Theatres, 2022); Fast Labour (Hampstead, in association with West Yorkshire Playhouse, 2008); Out of Your Knowledge (Menagerie Theatre/ Pleasance, Edinburgh/East Anglian tour, 2006-8); World Music (Sheffield Crucible, 2003, and subsequent transfer to the Donmar Warehouse, 2004); The Unthinkable (Sheffield Crucible, 2004); After the Gods (Hampstead Theatre, 2002); and English Journeys (Hampstead Theatre, 1998).

His writing for television and radio includes Safe House (BBC4), The Air Gap, The Moderniser (BBC Radio 4), Scribblers and Bretton Woods (BBC Radio 3). He ran the MPhil in Playwriting at Birmingham University between 2006 and 2011, and is now Professor of Scriptwriting at the University of East Anglia, where he convenes the MA in Creative Writing: Scriptwriting programme. He is the author of The Secret Life of Plays, published by Nick Hern Books.