Contrasts: Or, A Parallel Between The Noble Edifices Of The Middle Ages And Corresponding Buildings Of The Present Day (Cambridge Library Collection - Art and Architecture)

Pugin, A. W. A. W. Pugin,

ISBN 10: 1108061346 / ISBN 13: 9781108061346

Published by Cambridge University Press -, 2013

About this Item

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Bibliographic Details

• Title: Contrasts: Or, A Parallel Between The Noble Edifices Of The Middle Ages And Corresponding Buildings Of The Present Day (Cambridge Library Collection - Art and Architecture)
• Publisher: Cambridge University Press -
• Publication Date: 2013
• Language: English
• ISBN 10: 1108061346
• ISBN 13: 9781108061346
• Binding: paperback
• Condition: Very Good

About this title

Synopsis

Among the most influential figures of the Gothic Revival in nineteenth-century Britain, Augustus Welby Northmore Pugin (1812–52) distinguished himself as an architect, author and interior designer. He had crafted furniture for George IV at Windsor, but his greatest triumph was the design and fitting out of the new Palace of Westminster with Charles Barry (1795–1860) following the fire of 1834. First published in 1836, Contrasts is Pugin's most famous work, championing the medieval over the modern through satirical comparison of divergent styles. Reissued here in its substantially revised second edition of 1841, the book reflects its author's Catholicism and a developing interpretation of Gothic architecture. Along with The True Principles of Pointed or Christian Architecture (1841), this work remains essential reading for those seeking to understand the growth of the Gothic Revival, illuminating with many illustrations the theories guiding one of Britain's most important architects.

Book Description

Augustus Welby Northmore Pugin (1812-52), architect, author and interior designer, was among the most important figures in Britain's nineteenth-century Gothic Revival. First published in 1836, Contrasts is his most famous work, and this revised second edition of 1841 champions medieval architecture by satirically comparing it with 'debased' Regency equivalents.