Corneille and Racine : Problems of Tragic Form

Gordon J. Pocock

ISBN 10: 0521098149 / ISBN 13: 9780521098144

Published by Cambridge University Press, 1973

About this Item

Druck auf Anfrage Neuware - Printed after ordering - Corneille and Racine may seem like marble monuments of an unchanging typical classicism. Mr Pocock is concerned to show that each of these great dramatists was a living writer, struggling to create developing forms and that the rules of neo-classical decorum were a strait-jacket to them. We can see in their writings a hesitation between poetic drama which creates its own forms from within and naturalistic drama which opts for truth to common life and a medium. In an interesting and comprehensive examination of the two authors, Mr Pocock shows the range of Coneille's achievement, and explains that a good seal which had been dismissed as decadence or incompetence was the result of his casting about for new forms. A section on Racine shows him opting for a deepening mode of drama which rejects naturalism and is implicitly subversive of neo-classical rules.

Seller Inventory # 9780521098144

Bibliographic Details

• Title: Corneille and Racine : Problems of Tragic Form
• Publisher: Cambridge University Press
• Publication Date: 1973
• Language: English
• ISBN 10: 0521098149
• ISBN 13: 9780521098144
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 216W x 140H x 20D millimeters 216 millimeters width by 140 millimeters height by 20 millimeters depth
• Weight: 475 grams

About this title

Synopsis

Corneille and Racine may seem like marble monuments of an unchanging typical classicism. Mr Pocock is concerned to show that each of these great dramatists was a living writer, struggling to create developing forms and that the rules of neo-classical decorum were a strait-jacket to them. We can see in their writings a hesitation between poetic drama which creates its own forms from within and naturalistic drama which opts for truth to common life and a medium. In an interesting and comprehensive examination of the two authors, Mr Pocock shows the range of Coneille's achievement, and explains that a good seal which had been dismissed as decadence or incompetence was the result of his casting about for new forms. A section on Racine shows him opting for a deepening mode of drama which rejects naturalism and is implicitly subversive of neo-classical rules.

Book Description

Corneille and Racine may seem like marble monuments of an unchanging typical classicism. Mr Pocock is concerned to show that each of these great dramatists was a living writer, struggling to create developing forms and that the rules of neo-classical decorum were a strait-jacket to them.