Cosmopolitan Intimacies (Paperback)
Language: English
Published by NUS Press, Singapore, 2018
- Softcover
- New

Seller: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Condition: New
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Paperback. The golden age of Malay film in the 1950s and 1960s was the product of a musical and cultural cosmopolitanism in the service of a nation-making process based on ideas of Malay ethnonationalism, initially fluid, increasingly homogenised over time. The commercial films of the period, and in particular their film music, from national cultural icons P. Ramlee and Zubir Said, remain important reference points for Malaysia and Singapore to this day. This is the first in-depth study of the film music of the period. It brings together ethnomusicological and cultural studies perspectives.Written in an engaging manner, thoroughly illustrated and incorporating musical scores, the book will appeal to dedicated film fans, musicians, composers and film-makers interested in Southeast Asia and the Malay world. But equally, the conceptual framework will be of interest to a broad range of scholars of Southeast Asia, as it brings together ideas of cosmopolitanism and cultural intimacy to narrate a history of nation-making in the region. The golden age of Malay film in the 1950s and 1960s was the product of a musical and cultural cosmopolitanism in the service of a nation-making process based on ideas of Malay ethnonationalism, initially fluid, increasingly homogenised over time. This is the first in-depth study of the film music of the period. It brings together ethnomusicological and cultural studies perspectives. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…
Seller Inventory # 9789814722636
- Title
- Cosmopolitan Intimacies (Paperback)
- Author
- Adil Johan
- Publisher
- NUS Press, Singapore
- Publication year
- 2018
- Condition
- new
- Binding
- Paperback
- Language
- English
- ISBN 10
- 9814722634
- ISBN 13
- 9789814722636
Drawing on analyses of lyrics and music, interviews with musicians, and the content of Malay entertainment magazines, in an approach that spans ethnomusicology and cultural studies, he reveals this body of work to be a product of a musical and cultural cosmopolitanism in the service of a nation-making process based on ideas of Malay ethnonationalism, initially fluid but increasingly homogenized over time. Malay film music of the period covertly expressed radical sentiments despite being produced within a commercialized film industry.
Written in a lively style and illustrated with musical examples, the book will satisfy ethnomusicologists, composers, and film studies scholars interested in Southeast Asia and the Malay world. It will equally be of interest to scholars interested in the role of culture in nation-making more broadly.
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AussieBookSeller
Truganina, VIC, Australia
AbeBooks seller since June 22, 2007
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