Courts, Patrons and Poets: The Renaissance in Europe: A Cultural Enquiry, Volume 2 (Renaissance in Europe series)

Mateer, David

ISBN 10: 0300082258 / ISBN 13: 9780300082258

Published by Yale University Press, 2000

About this Item

Good condition. Softcover volume with minor shelf wear and light scuffing to the covers, consistent with age and handling. Binding remains sound. Pages are clean, lean, and free from markings, highlighting, or marginalia. A solid, presentable copy.

Scholarly essays examining the role of princely courts in shaping Renaissance art and culture, with case studies focusing on Urbino, Mantua, Milan, Florence, and Buda. Part of The Renaissance in Europe: A Cultural Enquiry series produced for The Open University. Includes bibliographical references.

Carefully packed and shipped in a box. International shipping available. Additional photographs available upon request.
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Seller Inventory # ABE-1770679222338

Bibliographic Details

• Title: Courts, Patrons and Poets: The Renaissance in Europe: A Cultural Enquiry, Volume 2 (Renaissance in Europe series)
• Publisher: Yale University Press
• Publication Date: 2000
• Language: English
• ISBN 10: 0300082258
• ISBN 13: 9780300082258
• Binding: Soft cover
• Condition: Good
• Dimensions: 1.25W x 7.5H x 9.5D inches 1.25 inches width by 7.5 inches height by 9.5 inches depth
• Weight: 2.249 pounds

About this title

Synopsis

After a general introduction to 15th-century court patronage, the phenomenon is examined in detail in case studies of artists and musicians working in Milan under the Sforza and in Florence under the Medici. The ideas came to Britain and shaped Tudor and Stuart poetry and drama.

From the Inside Flap

The princely courts of fifteenth-century Italy played a central role in the development of Renaissance art and culture. After a general introduction to the notion of court patronage, this book examines the phenomenon in detail through case studies of artists and musicians working in Milan under the Sforza (Leonardo, Filarete, and Josquin Desprez) and in Florence under the Medici.Later chapters show how humanist ideas were imported from the Continent to Britain, where they were absorbed and ultimately metamorphosed into the glories of Tudor and Stuart poetry and drama. The result is a stimulating study of the position of artists in society and of their changing relation to, and interaction with, their patrons.This volume is the second in a series of three texts designed for the Open University course The Renaissance in Europe: A Cultural Enquiry.