Creative Comping Concepts for Jazz Guitar (Paperback)

Mark Boling

ISBN 10: 0786695609 / ISBN 13: 9780786695607

Published by Mel Bay Publications, Inc., 2016

About this Item

Paperback. Pianists are the main sources of inspiration for new developments in jazz guitar comping. Yet guitarists have been slow to develop a comping vocabulary with harmonic sophistication, subtle voiceleading, and rhythmic flexibility on the level of the best contemporary pianists. This book seeks to remedy the situation by articulating a comping vocabulary in the context of six of the most often played tunes in jazz: 12-bar blues, rhythm changes, minor blues, a modal tune, and a couple of standards. The comps are written out in notation and tablature and include rhythms with forward motion, chords built in fourth intervals, parallel constant structure voicings, polychords, slash chords, etc. The focus is on developing a contemporary approach to rhythm, phrasing, chord voicings, voiceleading, chord substitution, and reharmonization. A play-along audio recording of the guitar comps with bass and drums helps get the sounds and rhythms in your ear. The theory of how the comping concepts are applied to the music is explained, with ideas on how to use them creatively. Includes access to online audio. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Seller Inventory # 9780786695607

Bibliographic Details

• Title: Creative Comping Concepts for Jazz Guitar (Paperback)
• Publisher: Mel Bay Publications, Inc.
• Publication Date: 2016
• Language: English
• ISBN 10: 0786695609
• ISBN 13: 9780786695607
• Binding: Paperback
• Condition: new

About this title

Synopsis

Pianists are the main sources of inspiration for new developments in jazz guitar comping. Yet guitarists have been slow to develop a comping vocabulary with harmonic sophistication, subtle voice leading, and rhythmic flexibility on the level of the best contemporary pianists. This book seeks to remedy the situation by articulating a comping vocabulary in the context of six of the most often played tunes in jazz: 12-bar blues, rhythm changes, minor blues, a modal tune, and a couple of standards. The comps are written out in notation and tablature and include rhythms with forward motion, chords built in fourth intervals, parallel constant structure voicings, polychords, slash chords, etc. The focus is on developing a contemporary approach to rhythm, phrasing, chord voicings, voice leading, chord substitution, and reharmonization. A play-along online audio recording of the guitar comps with bass and drums helps get the sounds and rhythms in your ear. The theory of how the comping concepts are applied to the music is explained, with ideas on how to use them creatively.