Creative Evolution. This item is unavailable.Creative Evolution

Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: the knowledge of an artificial or mathematical system applies only to the extremity. Continuity of change, preservation of the past in the present, real duration the living being seems, then, to share these attributes with consciousness. Can we go further and say that life, like conscious activity, is invention, is unceasing creation? It does not enter into our plan to set down here the proofs of transformism. We wish only to explain in a word or two why we shall accept it, in the present work, as a sufficiently exact and precise expression of the facts actually known. The idea of transformism is already in germ in the natural classification of organized beings. The naturalist, in fact, brings together the organisms that are like each other, then divides the group into sub-groups within which the likeness is still greater, and so on: all through the operation, the characters of the group appear as general themes on which each of the sub-groups performs its particular variation. Now, such is just the relation we find, in the animal and in the vegetable world between the generator and the generated: on the canvas which the ancestor passes on, and which his descendants possess in common, each puts his own original embroidery. True, the differences between the descendant and the ancestor are slight, and it may be asked whether the same living matter presents enough plasticity to take in turn such different forms as those of a fish, a reptile and a bird. But, to this question, observation gives a peremptory answer. It shows that up to a certain period in its development the embryo of the bird is hardly distinguishable from that of the reptile, and that the individual develops, throughout the embryonic life in general, a series of transformations comparable to those through which,...

Anticipating not only modern scientific theories of psychology but also those of cosmology, this astonishing book sets out a impressive goal for itself: to reconcile human biology with a theory of consciousness. First published in France in 1907, and translated into English in 1911, this work of wonder was esteemed at the time in scientific circles and in the popular culture alike for its profound explorations of perception and memory and its surprising conclusions about the nature and value of art.

Contending that intuition is deeper than intellect and that the real consequence of evolution is a mental freedom to grow, to change, to seek and create novelty, Bergson reinvigorated the theory of evolution by refusing to see it as merely mechanistic. His expansion on Darwin remains one of the most original and important philosophical arguments for a scientific inquiry still under fire today.