The Creative Process of Els Joglars and Teatro de La Abadia | Beyond the Playwright

Simon David Breden

ISBN 10: 1855662787 / ISBN 13: 9781855662780

Published by Tamesis, 2014

About this Item

The Creative Process of Els Joglars and Teatro de La Abadia | Beyond the Playwright | Simon David Breden | Buch | Einband - fest (Hardcover) | Englisch | 2014 | Tamesis | EAN 9781855662780 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Seller Inventory # 122096948

Bibliographic Details

• Title: The Creative Process of Els Joglars and Teatro de La Abadia | Beyond the Playwright
• Publisher: Tamesis
• Publication Date: 2014
• Language: English
• ISBN 10: 1855662787
• ISBN 13: 9781855662780
• Binding: Buch
• Condition: Neu
• Dimensions: 240W x 161H x 20D millimeters 240 millimeters width by 161 millimeters height by 20 millimeters depth
• Weight: 584 grams
• Seller catalogs:
  • Bücher

About this title

Synopsis

Breden shifts the focus of academic study away from product and towards process, demonstrating how an understanding of process assists in the reading of the theatrical product.

The rehearsal processes of theatre companies are an oft-neglected area of research in Drama and Performance Studies. This work on the Catalan devising collective Els Joglars and the Madrid producing venue Teatro de la Abadía seeksto redress the balance with a close analysis of methodologies employed in rehearsal. In effect, both companies have created distinctive rehearsal processes by applying ideas and techniques from a wider European context to a Spanish theatre scene which had been seen to follow rather than develop trends and techniques visible in theatre across France, Italy and Germany. Critically, their hybrid rehearsal processes generate heightened theatrical results forthe audience. Thus the book shifts the focus of academic study away from product and towards process, demonstrating how an understanding of process assists in the reading of the theatrical product.

Simon David Breden obtained a PhD in Drama & Hispanic Studies from Queen Mary, University of London. He has worked as a professional director and expert in Spanish theatre in London and Madrid.

About the Author

Currently undertaking Post-Doctoral Research PDI University of Salamanca, Spain