Creepers

On a cold October night, five people gather in a run-down motel on the Jersey shore and begin preparations to break into the Paragon Hotel. Built in the glory days of Asbury Park by a reclusive millionaire, the magnificent structure - which foreshadowed the beauties of art-deco architecture - is now boarded up and marked for demolition.
The five people are "creepers," the slang term for urban explorers: city archeologists with a passion for investigating abandoned buildings and their dying secrets. On this evening, they are joined by a reporter who wants to profile them - anonymously, as this is highly illegal activity - for a New York Times article.
Frank Balenger, a sandy-haired broad shouldered reporter with a decided air of mystery about him, isn't looking for just a story, however. And after the group enters the rat-infested tunnel leading to the hotel, it becomes clear that he will get much more than he bargained for. Danger, terror, and death await the creepers in a place ravaged by time and redolent of evil.

Morrell takes a creative kind of breaking-and-entering as the premise for his latest thriller (after Nightscape), a gripping story that demands to be read in a single sitting. Disguising himself as a journalist, Frank Balenger, ex-U.S. Army Ranger and Iraqi war veteran, joins a group of "Creepers," also known as infiltrators, urban explorers or city speleologists—men and women who outfit themselves with caving gear to break into and explore buildings that have long been closed up and abandoned. Though what they're doing is technically illegal, participants pride themselves on never stealing or destroying anything they find at these sites. They take only photographs and aim to leave no footprints. Balenger joins a group of four: the leader, Professor Robert Conklin, high school teacher Vincent Vanelli and graduate students Rick and Cora Magill. This gang infiltrates the Paragon Hotel, an abandoned, seven-story, pyramidal Asbury Park, N.J., structure built in 1901 by eccentric, hemophiliac Morgan Carlisle. Balenger and the professor have a special agenda, but the others are there simply for the thrills. Things quickly begin to unravel in life-threatening ways once the intrepid infiltrators penetrate the building—they aren't the only ones creeping around the spooky hotel. Morrell delivers first-rate, suspenseful storytelling once again.
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Frank Balenger is a New York Times reporter doing a Sunday magazine profile on urban explorers, better known as creepers. It's an illegal activity but a very popular one, in which adventure seekers invade crumbling old structures in search of thrills and perhaps a glimpse of the past. Frank joins a team of four as they prepare to enter the long-shuttered and mysterious Paragon Hotel. They surreptitiously enter as darkness envelops the city, planning to emerge before dawn none the worse for wear. At least that's the plan. Initially they encounter the expected assortment of crumbling furniture, magazines, and rats, but soon they realize they are not alone, and their counterparts are not friendly people. It turns out that Frank's group has a hidden agenda involving treasure, and their rivals are after the same loot. Throw in an even more unfriendly kidnapper and his captor, and you have a nightmare in the making. Veteran thriller writer Morrell gleefully and shamelessly cherry picks from several genres (crime, horror, adventure, western) and blends them into a violent, claustrophobic nightmare. There's the survive-the-night-in-a-haunted-house plot starring a Norman Bates villain; there's a Treasure of the Sierra Madre cast that would rather die than give up the loot; and there's a version of the classic western in which the outlaws and the homesteaders join forces to battle the Indians. An unabashedly entertaining thriller that has blockbuster movie written all over it. Wes Lukowsky
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