Critical Condition: Replacing Critical Thinking with Creativity
Patrick Finn
Sold by Kennys Bookstore, Olney, MD, U.S.A.
AbeBooks Seller since October 9, 2009
New - Soft cover
Condition: New
Ships within U.S.A.
Quantity: 1 available
Add to basketSold by Kennys Bookstore, Olney, MD, U.S.A.
AbeBooks Seller since October 9, 2009
Condition: New
Quantity: 1 available
Add to basketNum Pages: 130 pages. BIC Classification: JNC; JNK. Category: (G) General (US: Trade). Dimension: 230 x 151 x 11. Weight in Grams: 210. . 2015. Paperback. . . . . Books ship from the US and Ireland.
Seller Inventory # V9781771121576
Should we stop teaching critical thinking? Meant as a prompt to further discussion, Critical Condition questions the assumption that every student should be turned into a “critical thinker.”
The book starts with the pre-Socratics and the impact that Socrates’ death had on his student Plato and traces the increasingly violent use of critical “attack” on a perceived opponent. From the Roman militarization of debate to the medieval Church’s use of defence as a means of forcing confession and submission, the early phases of critical thinking were bound up in a type of attack that Finn suggests does not best serve intellectual inquiry. Recent developments have seen critical thinking become an ideology rather than a critical practice, with levels of debate devolving to the point where most debate becomes ad hominem. Far from arguing that we abandon critical inquiry, the author suggests that we emphasize a more open, loving system of engagement that is not only less inherently violent but also more robust when dealing with vastly more complex networks of information.
This book challenges long-held beliefs about the benefits of critical thinking, which is shown to be far too linear to deal with the twenty-first century world. Critical Condition is a call to action unlike any other.
Patrick Finn is an associate professor in The School for Creative and Performing Arts at the University of Calgary. His research and teaching focus on performance and technology, where technology can be anything from vocal technique and alphabets to complex computer algorithms. He is an active artist and founding artistic director of The Theatre Lab Performance Institute in Calgary, Alberta.
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