Critical Perspectives on Max Porter (Routledge Studies in British Literature)

Max Porter is amongst the most exciting British writers of the twenty-first century. His striking books straddle the divide between poetry and prose as deftly as they combine literary experimentation with mainstream success. This book is the first study of his works to date, which encompass Grief Is the Thing with Feathers (2015), Lanny (2019), The Death of Francis Bacon (2021) and Shy (2023). It features a broad interdisciplinary array of essays (by poets, novelists, literary critics, art historians and educationalists), which collectively place Porter’s works in their contexts, shed light on his artistic vision and interpret his texts from a range of critical perspectives. The volume’s 12 chapters combine readings of the literary, formal, intertextual and experimental aspects of Porter’s works with discussions of their relation to social, political and ethical questions, whilst placing them in dialogue with highly topical critical and cultural debates, such as Englishness in the aftermath of Brexit, ecocriticism, affectivity and posthumanism.

David Rudrum is Senior Lecturer in English Literature at the University of Huddersfield. Most of his work explores the interdisciplinary relations between contemporary philosophy and literature. Previous publications include New Directions in Philosophy and Literature (2019), Supplanting the Postmodern (2015) and Stanley Cavell and the Claim of Literature (2013).

Paweł Wojtas is Assistant Professor at the Faculty of Artes Liberales, University of Warsaw. His research interests include contemporary English and related literature, as well as literary and cultural disability studies. He is the author of Narratives of Disability and Illness in the Fiction of J. M. Coetzee (2024).

Wojciech Drąg is Associate Professor at the University of Wrocław in Poland. He is the author of Collage in Twenty-First-Century Literature in English: Art of Crisis (2020) and Revisiting Loss: Memory, Trauma and Nostalgia in the Novels of Kazuo Ishiguro (2014).