The “deadlines” were boundaries prisoners had to stay within or risk being shot. Just as a prisoner would take the daring challenge in “crossing the deadline” to attempt escape, Crossing the Deadlines crosses those boundaries of old scholarship by taking on bold initiatives with new methodologies, filling a void in the current scholarship of Civil War prison historiography, which usually does not go beyond discussing policy, prison history and environmental and social themes. Due to its eclectic mix of contributors―from academic and public historians to anthropologists currently excavating at specific stockade sites―the collection appeals to a variety of scholarly and popular audiences. Readers will discover how the Civil War incarceration narrative has advanced to include environmental, cultural, social, religious, retaliatory, racial, archaeological, and memory approaches.

As the historiography of Civil War captivity continues to evolve, readers of Crossing the Deadlines will discover elaboration on themes that emerged in William Hesseltine’s classic collection, Civil War Prisons, as well as inter- connections with more recent interdisciplinary scholar- ship. Rather than being dominated by policy analysis, this collection examines the latest trends, methodologies, and multidisciplinary approaches in Civil War carceral studies. Unlike its predecessor, which took a micro approach on individual prisons and personal accounts, Crossing the Deadlines is a compilation of important themes that are interwoven on broader scale by investigating many prisons North and South.

Although race played a major role in the war, its study has not been widely integrated into the prison narrative; a portion of this collection is dedicated to the role of African Americans as both prisoners and guards and to the slave culture and perceptions of race that perpetuated in prisons. Trends in environmental, societal, and cultural implications related to prisons are investigated as well as the latest finds at prison excavation sites, including the challenges and triumphs in awakening Civil War prisons’ memory at historical sites.

About the Author

Michael P. Gray is professor of history at East Stroudsburg University. His The Business of Captivity: Elmira and Its Civil War Prison (Kent State University Press, 2001) was a finalist for the Seaborg Award, and a chapter of that work, published in Civil War History, earned honorable mention for the Eastern National Award. He serves as series editor of Voices of the Civil War with the University of Tennessee Press.

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