Jose Marti contributed greatly to Cuba's struggle for independence from Spain with words as well as revolutionary action. Although he died before the formation of an independent republic, he has since been hailed as a heroic martyr inspiring Cuban republican traditions. During the twentieth century, traditionally nationalistic literature has reinforced an uncritical idealization of Marti and his influence. However, new approaches have recently explored the formation, reception, uses and abuses of the Marti myth. The essays in this volume analyze the influence of Jose Marti - poet, scholar, and revolutionary - on the formation of often-competing national identities in post-independence Cuba. By exploring the diverse representations and interpretations of Marti, they provide a critical analysis of the ways in which both the left and right have used his political and literary legacies to argue their version of contemporary Cuban 'reality.'
Laura Lomas is a playwright whose plays include Bird (Root Theatre and Echo); Blister (Paines Pough/Royal Welsh College of Music and Drama); Open Heart Surgery (Theatre Uncut); Come to Where I'm From (Paines Plough); Some Machine (Paines Plough/Rose Bruford); The Island (Nottingham Playhouse/Det Norske Oslo); Us Like Gods (Hampstead, Heat and Light); Gypsy Girl (Paines Plough Later at Soho) and Wasteland (New Perspectives/Derby Theatre; shortlisted for the Brian Way Award).
Radio plays include My Boy (BBC Radio 4 Afternoon Play; Bronze SONY Award for best radio drama) and Lucy Island (BBC Radio 3).
Her screen work includes Rough Skin (Touchpaper/Channel 4; shortlisted for Best British Short at British Independent Film Awards and Raindance Film Festival). She has also written two episodes of Glue (E4/Eleven Films), and has been commissioned by BBC Radio 4, Manchester Royal Exchange, and jointly by Clean Break and Birmingham Rep. She was a MacDowell Colony Fellow 2013, and a Yaddo Fellow 2014.