Cultural Heritage in Transit: Intangible Rights as Human Rights

Deborah Kapchan

ISBN 10: 0812245946 / ISBN 13: 9780812245943

Published by UNIV OF PENNSYLVANIA PR, 2014

About this Item

Analyzing heritage events -from Roma wedding music to Trinidadian wining, Moroccan verbal art, and neopagan rituals-Cultural Heritage in Transit tracks the effects of the heritage industry, focusing on cultural rights and human rights writ large.&U.

Seller Inventory # 595036234

Bibliographic Details

• Title: Cultural Heritage in Transit: Intangible Rights as Human Rights
• Publisher: UNIV OF PENNSYLVANIA PR
• Publication Date: 2014
• Language: English
• ISBN 10: 0812245946
• ISBN 13: 9780812245943
• Binding: Gebunden
• Condition: New

About this title

Synopsis

Are human rights universal? The immediate response is "yes, of course." However, that simple affirmation assumes agreement about definitions of the "human" as well as what a human is entitled to under law, bringing us quickly to concepts such as freedom, property, and the inalienability of both. The assumption that we all mean the same things by these terms carries much political import, especially given that different communities (national, ethnic, religious, gendered) enact some of the most basic categories of human experience (self, home, freedom, sovereignty) differently. But whereas legal definitions often seek to eliminate ambiguity in order to define and protect the rights of humanity, ambiguity is in fact inherently human, especially in performances of heritage where the rights to sense, to imagine, and to claim cultural identities that resist circumscription are at play.

Cultural Heritage in Transit examines the intangibilities of human rights in the realm of heritage production, focusing not only on the ephemeral culture of those who perform it but also on the ambiguities present in the idea of cultural property in general—who claims it? who may use it? who should not but does? In this volume, folklorists, ethnologists, and anthropologists analyze the practice and performance of culture in particular contexts—including Roma wedding music, Trinidadian wining, Moroccan verbal art, and Neopagan rituals—in order to draw apart the social, political, and aesthetic materialities of heritage production, including inequities and hierarchies that did not exist before. The authors collectively craft theoretical frameworks to make sense of the ways the rights of nations interact with the rights of individuals and communities when the public value of artistic creations is constituted through international law.

Contributors: Valdimar Tr. Hafstein, Deborah Kapchan, Barbro Klein, Sabina Magliocco, Dorothy Noyes, Philip W. Scher, Carol Silverman.

About the Author

Deborah Kapchan is Associate Professor of Performance Studies and author of Gender on the Market: Moroccan Women and the Revoicing of Tradition, also available from the University of Pennsylvania Press, and Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace.