The Cultural Revolution and Overacting: Dynamics between Politics and Performance

Tuo Wang

ISBN 10: 0739192906 / ISBN 13: 9780739192900

Published by Lexington Books, 2014

About this Item

Hardcover, x + 173 pages, NOT ex-library. Printed in the USA. Clean and bright throughout with unmarked text, free of inscriptions and stamps, firmly bound. Minor handling wear. Published without a dust jacket. -- The Great Proletarian Cultural Revolution, which took place in China between 1966 and 1976, was a major political and social tragedy in Chinese history. As part of an effort to understand how the state enforced control amid seeming chaos, this book looks at the ubiquitous revolutionary presentations and performances of power, such as political rituals, revolutionary rhetoric, and public gatherings, in people's everyday lives during the Cultural Revolution as performances that contributed to the control of the Chinese people. In particular, this book discusses how the promotion of revolutionary models in real life contributed to people's eagerness to perform the role of the ideal revolutionary, and how the possibility of complete revolutionary transformation, promoted by the state media, and the hard fact that no one was able to completely become a Maoist subject, who would be completely selfless and think and speak only Maoist teaching, subjected people to a state of becoming but never fully having become. The fear of failing in the Maoist transformation constituted the inner mechanism that propelled ordinary people's radical revolutionary behavior. In addition, this book examines the audience's reaction to Jiang Qing's court performance in the trial of the Gang of Four as an anarchic liberation from the revolutionary performance of the Cultural Revolution. Utilizing methodologies of cultural anthropology, linguistics, acting theory, and literary criticism, this book reveals how people's performances of their everyday life functioned as mechanisms of social control. -- Contents: 1. Rituals in Action: Revolutionary Rituals and the Shaping of Political Idols and Political Subjects; 2. Deciphering Revolutionary Language: The Charm of the Big Character Poster; 3. Model Theater: Modeling the World; 4. Permanent Liminality: The Performance of Revolutionary Heroic Characters in Everyday Life; 5. Enfranchised Violence: Public Struggle Meetings; 6. The End of the Cultural Revolution: The Trial of the Gang of Four; Epilogue: Once to Every Man and Nation; Glossary; Bibliography; Index.

Seller Inventory # 005387

Bibliographic Details

• Title: The Cultural Revolution and Overacting: Dynamics between Politics and Performance
• Publisher: Lexington Books
• Publication Date: 2014
• Language: English
• ISBN 10: 0739192906
• ISBN 13: 9780739192900
• Binding: Hardcover
• Condition: Near Fine

About this title

Synopsis

The Great Proletarian Cultural Revolution, which took place in China between 1966 and 1976, was a major political and social tragedy in Chinese history. As part of an effort to understand how the state enforced control amid seeming chaos, this book looks at the ubiquitous revolutionary presentations and performances of power, such as political rituals, revolutionary rhetoric, and public gatherings, in people’s everyday lives during the Cultural Revolution as performances that contributed to the control of the Chinese people. In particular, this book discusses how the promotion of revolutionary models in real life contributed to people’s eagerness to perform the role of the ideal revolutionary, and how the possibility of complete revolutionary transformation, promoted by the state media, and the hard fact that no one was able to completely become a Maoist subject, who would be completely selfless and think and speak only Maoist teaching, subjected people to a state of becoming but never fully having become. The fear of failing in the Maoist transformation constituted the inner mechanism that propelled ordinary people’s radical revolutionary behavior.

In addition, this book examines the audience’s reaction to Jiang Qing’s court performance in the trial of the Gang of Four as an anarchic liberation from the revolutionary performance of the Cultural Revolution. Utilizing methodologies of cultural anthropology, linguistics, acting theory, and literary criticism, this book reveals how people’s performances of their everyday life functioned as mechanisms of social control.

About the Author

Tuo Wang is a performance studies scholar with a PhD from the Tisch School of the Arts.