Curating Live Arts (Paperback)

Dena Davida

ISBN 10: 1789201349 / ISBN 13: 9781789201345

Published by Berghahn Books, Oxford, 2018

About this Item

Paperback. Situated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project and a genuine global phenomenon. Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline. Reflecting the fields characteristic eclecticism, the writings assembled here offer practical and insightful investigations into the curation of theatre, dance, sound art, music, and other performance formsnot only in museums, but in community, site-specific, and time-based contexts, placing it at the forefront of contemporary dialogue and discourse. Situated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project. Curating Live Arts brings together innovative essays from international theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Seller Inventory # 9781789201345

Bibliographic Details

• Title: Curating Live Arts (Paperback)
• Publisher: Berghahn Books, Oxford
• Publication Date: 2018
• Language: English
• ISBN 10: 1789201349
• ISBN 13: 9781789201345
• Binding: Paperback
• Condition: new

About this title

Synopsis

Situated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project and a genuine global phenomenon. Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline. Reflecting the field’s characteristic eclecticism, the writings assembled here offer practical and insightful investigations into the curation of theatre, dance, sound art, music, and other performance forms―not only in museums, but in community, site-specific, and time-based contexts, placing it at the forefront of contemporary dialogue and discourse.

About the Authors

Dena Davida co-founded, directed, and is currently the in-house curator of Tangente, Québec’s first dance presenting organization. She also co-founded the CanDance touring network, and co-founded and co-programmed the Festival international de nouvelle danse de Montréal from 1985 to 2005. She has taught at the Université du Québec à Montréal for over 25 years.

Marc Pronovost is General and Artistic Manager and a co-founder of B21, an organization exploring the social impact of artistic projects in relation to sustainable development. He holds a master’s degree in Development Studies from the Graduate Institute of Geneva. He is the author of Art et développement (2013).

Véronique Hudon is a researcher, author and curator of living arts whose work is situated in the space between gallery and stage. She is a PhD candidate in Arts studies and Practices at the Université du Québec à Montréal. She currently collaborates with several periodicals in the arts field.

Jane Gabriels is the co-curator and Project Director for the Young Roots Performance Series at the Hostos Center for the Arts and Culture, City University of New York. Her publications include interviews with artists in Movement Research Performance Journal, Latino Rebels, and Bronx Dance Magazine.