Curationism (Paperback)

David Balzer

ISBN 10: 0745335977 / ISBN 13: 9780745335971

Published by Pluto Press, London, 2015

About this Item

Paperback. *Winner of the ICA Book of the Year, 2015* Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' has become a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows in a way that can eclipse the contributions of individual artists. At the same time, curatorial-studies programs continue to grow, and businesses are adopting curation as a means of adding value to content. Everyone, it seems, is now a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture's relationship with taste, labour and the avant-garde? In this vibrant book, David Balzer travels through art history to explore the cult of curation, where it began, how it came to dominate museums and galleries, and how it emerged at the turn of the millennium as a dominant mode of thinking and being. Recalling such landmark works of cultural criticism as Tom Wolfe's The Painted Word and John Berger's Ways of Seeing, Balzer asks whether curationism has finally reached its own limits, where its widespread success has paradoxically led to its own demise. A criticism of the saturation of the 'curator' in art, business and everyday life Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9780745335971

Bibliographic Details

• Title: Curationism (Paperback)
• Publisher: Pluto Press, London
• Publication Date: 2015
• Language: English
• ISBN 10: 0745335977
• ISBN 13: 9780745335971
• Binding: Paperback
• Condition: new

About this title

Synopsis

Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture?

‘Curate’ has become a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows in a way that can eclipse the contributions of individual artists. At the same time, curatorial-studies programs continue to grow, and businesses are adopting curation as a means of adding value to content. Everyone, it seems, is now a curator.

But what is a curator, exactly? And what does the explosive popularity of curating say about our culture’s relationship with taste, labour and the avant-garde? In this vibrant and original book, David Balzer travels through art history and around the globe to explore the cult of curation, where it began, how it came to dominate museums and galleries, and how it emerged at the turn of the millennium as a dominant mode of thinking and being — from superstar curator Hans Ulrich Obrist’s war with sleep to Subway’s ‘sandwich artists.’ Recalling such landmark works of cultural criticism as Tom Wolfe’s The Painted Word and John Berger’s Ways of Seeing, Balzer asks whether curationism has finally reached its own limits, where its widespread success has paradoxically led to its own demise.

About the Author

David Balzer has contributed to publications including The Believer, Modern Painters, ARTnews, Artforum.com and Capital New York, and is the author of Contrivances, a short-fiction collection. Balzer was born in Winnipeg and currently resides in Toronto, where he makes a living as a critic, editor and teacher.