Cybermedia: Science, Sound, and Vision

Carol Vernallis is Affiliated Researcher in Music at Stanford University and Visiting Professor of Music at University of California, Berkeley. She is author of Experiencing Music Video (2004) and Unruly Media (2013). She is co-editor of The Oxford Handbook of New Audiovisual Aesthetics (2013) and The Oxford Handbook of Sound and Image in Digital Media (2013), and on the editorial board of The Journal of Popular Music Studies.

Holly Rogers is Professor of Music and Director of Research at Goldsmiths, University of London, UK, where she runs the MA Music (Audiovisual Cultures). She is author of Sounding the Gallery: Video and the Rise of Art-Music (2013) and co-author of Studying Twentieth-Century Music in the West (2022). She has edited several books on audiovisual culture, including Music and Sound in Documentary Film (2014), The Music and Sound of Experimental Film (2017), Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics (Bloomsbury, 2019), Cybermedia (Bloomsbury, 2021), YouTube and Music (Bloomsbury, 2022) and Remediating Sound (Bloomsbury, 2023). Holly is one of the founding editors for Bloomsbury book series New Approaches to Sound, Music and Media and the Goldsmiths journal “Sonic Scope: New Approaches to Audiovisual Culture”..

Lisa Perrott is Senior Lecturer and Researcher in Screen and Media Studies at the University of Waikato, New Zealand. She is co-editor, with Holly Rogers and Carol Vernallis, of the Bloomsbury book series New Approaches to Sound, Music and Media, and the collected volume Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. Lisa is also co-editor, with Ana Cristina Mendes, of David Bowie and Transmedia Stardom. Her interests include music video, animation, documentary and transmedia, with an emphasis on the relations between sound, music and visual media. Lisa is currently completing her second Bloomsbury monograph David Bowie and the Transformation of Music Video (1984-2016 and Beyond).