D. H. Lawrence and the Dialectics of Spatial Form

Gagan Behari Das

ISBN 10: 3659367605 / ISBN 13: 9783659367601

Published by LAP LAMBERT Academic Publishing, 2013

About this Item

nach der Bestellung gedruckt Neuware - Printed after ordering - D. H. Lawrence and the Dialectics of Spatial Form is an innovative work in the field of Lawrence-studies. Six major works of Lawrence- Sons and Lovers, The Rainbow, Women in Love, The Captain s Doll, Aaron s Rod, and The Plumed Serpent- are selected in the study of spatial form. This book departs from the existing critical works on Lawrence, insofar as it rereads the so called Lawrentian characteristic defects in a positive way, connecting with the post-modern literary theories. The author takes account of Lawrence s aesthetics and ideals, his cultural inheritance, and the resisting forces in English canonical writings of his time. Interpretation of Lawrence in a particular line and value judgement are ignored in order to direct the reader s attention to a participatory reading. The work contains chapters on Breaking the Prison Wall , Circular Repetition , Structural Aesthetics , Intertextual Collage , and Conclusion besides a Preface . All through the chapters Lawrence has been presented in a new perspective unprecedented, rising above the dispute shrouding the critics.

Seller Inventory # 9783659367601

Bibliographic Details

• Title: D. H. Lawrence and the Dialectics of Spatial Form
• Publisher: LAP LAMBERT Academic Publishing
• Publication Date: 2013
• Language: English
• ISBN 10: 3659367605
• ISBN 13: 9783659367601
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 220W x 150H x 16D millimeters 220 millimeters width by 150 millimeters height by 16 millimeters depth
• Weight: 411 grams

About this title

Synopsis

D. H. Lawrence and the Dialectics of Spatial Form is an innovative work in the field of Lawrence-studies. Six major works of Lawrence- Sons and Lovers, The Rainbow, Women in Love, The Captain’s Doll, Aaron’s Rod, and The Plumed Serpent- are selected in the study of spatial form. This book departs from the existing critical works on Lawrence, insofar as it rereads the so called Lawrentian characteristic defects in a positive way, connecting with the post-modern literary theories. The author takes account of Lawrence’s aesthetics and ideals, his cultural inheritance, and the resisting forces in English canonical writings of his time. Interpretation of Lawrence in a particular line and value judgement are ignored in order to direct the reader’s attention to a participatory reading. The work contains chapters on “Breaking the Prison Wall”, “Circular Repetition”, “Structural Aesthetics”, “Intertextual Collage”, and “Conclusion” besides a “Preface”. All through the chapters Lawrence has been presented in a new perspective unprecedented, rising above the dispute shrouding the critics.

About the Author

Gagan Behari Das works as an associate professor in the Dept. English, Madhabdev College under Dibrugarh University, Assam, India. He has published a number of research articles on D. H. Lawrence and spatial form in international journals.