DAREDEVIL MODERN ERA EPIC/DEVIL IN CELL

The critically acclaimed creative team of Brubaker and Lark takes the reins! For the past few years, Matt Murdock's life has been teetering on the edge of destruction. Now, pushed beyond the limit, Matt finds himself with no clear way out, the people he calls friends slowly deserting him and Hell's Kitchen slipping out of control. The question is, with his back against the wall, just how far will Daredevil go to reclaim what's his? Blaming himself for Foggy Nelson's death, Matt runs wild behind bars in Rykers, determined to learn out who put his best friend at the end of a knife. But he's not alone in Cell-Block D. There are some familiar faces looking for vengeance! Meanwhile, with Matt in prison, who's that running round Hell's Kitchen as Daredevil? Collecting DAREDEVIL (1998) #82-94 and DAREDEVIL ANNUAL (2007) #1.

Ed Brubaker is one of the most acclaimed writers in comics, a multiple Eisner Award winner. Following fan-favorite runs on Scene of the Crime, Sleeper, Catwoman and Gotham Central for DC, he moved to Marvel. His Captain America relaunch, in which he controversially revived Bucky Barnes as the Winter Soldier, won over fans new and old, and his revisionist take on the history of Marvel’s mutants in X-Men: Deadly Genesis resulted in a regular gig on Uncanny X-Men, Marvel’s flagship X-title. He and longtime artistic collaborator Michael Lark took up the baton on Daredevil after Brian Michael Bendis and Alex Maleev’s legendary run concluded, and Brubaker jump-started Immortal Iron Fist with co-writer Matt Fraction and artist David Aja. Marvel’s Icon imprint published Brubaker’s creator-owned Criminal and Incognito, and he has gone on to further success at Image Comics with such titles as Fatale, Velvet and The Fade Out. Beyond comics, Brubaker has written for TV’s Westworld and co-created the crime drama Too Old to Die Young.

Michael Lark has teamed with writer Ed Brubaker on DC’s Gotham Central and the noir Scene of the Crime, as well as adding a timeworn elegance to the World War II flashbacks in Captain America. But his work with Brubaker on Daredevil set new highs — not only for their collaborative efforts, but for the narrative tapestry of Marvel’s Man Without Fear.

Spanish artist David Aja earned his fine-arts degree at the University of Salamanca in 2000, becoming a professional illustrator for newspaper, magazine, publicity and multimedia clients worldwide. His comic-book credits include Marvel’s X-Men Unlimited, Civil War: Choosing Sides, Daredevil, Giant-Size Wolverine, Wolverine: Debt of Death, and a long run with writers Ed Brubaker and Matt Fraction on Immortal Iron Fist.