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Moore, Peter

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ISBN 10: 1891024051 / ISBN 13: 9781891024054
Published by Distributed Art Publishers/D. A. P., New York, Ny, U. S. A., 1999
Used Condition: Fine+ Hardcover
From GLOVER'S BOOKERY, ABAA (Lexington, KY, U.S.A.)

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Book is as new in a DJ with minor wear to extremities. Else a very attractive copy. Binding tight, pages clean and bright. ; Always Delivery Confirmation. 35 Years Fast Excellent Service. We Know How To Pack Books. Bookseller Inventory # 48174

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Bibliographic Details


Publisher: Distributed Art Publishers/D. A. P., New York, Ny, U. S. A.

Publication Date: 1999

Binding: hardcover

Book Condition:Fine+

Dust Jacket Condition: Near Fine

Edition: 1st Edition.

About this title


Opened to the public in 1910, McKim, Mead & White's Pennsylvania Station featured a dramatic vaulted glass ceiling over its expansive main concourse and was inspired in part by the Roman Baths of Caracalla, giving visitor and commuter alike an experience of grandeur in entering and leaving the city. The decision in 1962 to replace the old station and its subsequent demolition ultimately proved to be key moments in the birth of the historical preservation movement--a movement that came too late to save Penn Station itself. But during this period one might on any given day of the week, have seen Peter Moore in the station, carefully photographing the building and the process of its destruction, even as above his head--and above the heads of the 200, 000 commuters who transversed the station each day--cranes were beginning to take down what had been one of the grandest public buildings of the twentieth century. Moore visited the Station again and again between 1962 and 1966 to document its architectural form as well as the drama of its ''unbuilding.'' The resulting photographs combine compositionally elegant images of architectural form and details with haunting pictures of glass and masonry stripped away from steel girders as the building is progressively demolished.

About the Author:

Peter Moore (1932-1993) began his career as assistant to the great industrial photographer O. Winston Link in the 1950s and eventually became Senior Technical Editor of Modern Photography magazine from 1978-1989. But he was best known for his photojournalism covering startling avant-garde performances that took place beginning in the 1960s, such as Fluxus, happenings, and Judson Dance Theater. During more than 30 years of documenting these events Moore amassed an unparalleled archive of several hundred thousand images, selections of which have been published and exhibited internationally. His photographs of the 4-year demolition of New York's Pennsylvania Station, on the other hand, were unknown to the outside world during his lifetime. This book represents thier first publication.

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