Synopsis
An intimate self-portrait of one of the most renowned Mexican artists of the twentieth century, this beautiful book is “a visual document, engaging the eye with a volcanic profusion of penned-and-painted imagery” (New York Times).
Published in its entirety, Frida Kahlo’s amazing illustrated journal documents the last 10 years of her turbulent life. These passionate, often surprising, intimate records, kept under lock and key for some 40 years in Mexico, reveal many new dimensions in the complex personal life of this remarkable artist.
The 170-page journal contains the artist’s thoughts, poems, and dreams—many reflecting her stormy relationship with her husband, artist Diego Rivera—along with 70 mesmerizing watercolor illustrations. Her views of love, politics, and more come into sharp focus in a kaleidoscope of creativity and thought.
In his introduction, award-winner Carlos Fuentes, one of Mexico’s most important writers and critics, ties Kahlo’s images of pain, loss, mutilation, and transcendence to Mexico’s historic cycles of revolution and reaction. Sprinkled with irony, black humor, even gaiety, and augmented with translations of the diary entries plus commentaries and photographs, her diary stands as a reminder of not only Kahlo’s formidable talent, but also her resilience and courage.
The text entries, written in Frida’s round, full script in brightly colored inks, make the journal as captivating to look at as it is to read. Her writing reveals the artist’s political sensibilities, recollections of her childhood, and her enormous courage in the face of more than 35 operations to correct injuries she had sustained in an accident at the age of 18.
This intimate portal into her life is sure to fascinate fans of the artist, art historians, and feminist scholars alike.
Review
Frida Kahlo, one of the most dynamic figures of 20th-century art, has very nearly become a saint, so legendary is her tumultuous and tragic life. While there is no dearth of books about Kahlo and her work, none are as poignantly revealing as this diary, which includes her own words and pictures. We find the genesis of some of her most famous paintings, her love letters, and sketches of people she knew such as her husband, the Mexican mural painter Diego Rivera, and numerous studies for self-portraits. The most fascinating part of the book is the facsimile diary, in its exact size, reproduced here for the first time, with color illustrations. It is accompanied by an English translation with explanatory commentaries.
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