Dancing With God: Americans Who Have Encountered the Divine

Written in the voices of a dozen ordinary people whose lives have been irrevocably altered and including more than forty original photographs, this powerful work reveals the charismatic faith an author discovered during his journey across America. 35,000 first printing.

Wall, a journalist and photographer whose work has appeared in a variety of publications, writes this combination road trip and spiritual allegory (which includes 40 of his b&w photographs) in a journalistic style suitable for a popular audience. The narrative skates along the edges of main thoroughfares that lead from the deep South to New Mexico, then back to Tennessee as Wall sets out to find people who've encountered God. In a series of 11 vignettes, he almost always finds them where he is not looking, and they lead him not so much to God as to a new encounter with himself. In the first vignette, Wall goes "undercover" to an Atlanta mission where one of the "regulars" takes him under his wing. Surprised by this encounter, he goes on the road, where he meets ordinary people whose encounters with God have often come in near-death experiences. He speaks with a hitchhiker in Texas, a journalist who has moved to New Mexico and ventured into herbal medicine, a New Mexico artist who tells him to "pay attention." Paying attention leads Wall back to his alma mater, Tennessee Temple University, a Fundamentalist college to which he had promised himself he would never return. The result is an encounter with himself that is also an encounter with fundamentalism. Wall's book should prove a timely provocation for a significant audience that doesn't much get off the Interstate.
Copyright 1998 Reed Business Information, Inc.

As a journalist, Wall (Shadowcatchers, HarperCollins, 1994) has covered political events around the world. This book narrates Wall's journey across America in search of people who have been irrevocably changed by an experience with God. As the stories emerge, it becomes impossible for Wall, or the reader, to remain detached. A dying woman who walks around the house with a bird on her head and a former CNN anchorwoman who once contemplated suicide are just two of the individuals who share their stories. Wall's journalistic training is evident in his observations and photographs, but the purposeful, transformative sense of divine intelligence that propels Wall's seemingly random journey, unifying these remarkable vignettes, remains the most striking aspect of his work.
Copyright 1998 Reed Business Information, Inc.