Danny Elfman's Batman: A Film Score Guide: 2 (Scarecrow Film Score Guides, 2)

Halfyard Janet K.

ISBN 10: 0810851261 / ISBN 13: 9780810851269

Published by Rowman & Littlefield Publishers, Incorporated, 2004

About this Item

pp. xii + 177 Illus.

Seller Inventory # 7944321

Bibliographic Details

• Title: Danny Elfman's Batman: A Film Score Guide: 2 (Scarecrow Film Score Guides, 2)
• Publisher: Rowman & Littlefield Publishers, Incorporated
• Publication Date: 2004
• Language: English
• ISBN 10: 0810851261
• ISBN 13: 9780810851269
• Binding: Soft cover
• Edition: 2nd Edition
• Condition: New

About this title

Synopsis

Danny Elfman is recognized as one of the most successful, interesting, and innovative figures in recent film music composition. He came to the fore in the late 1980s in connection with his collaboration with Tim Burton on his films including Pee-Wee's Big Adventure (1985), Beetlejuice (1988), Batman (1989), Edward Scissorhands (1990), The Nightmare before Christmas (1993), and Sleepy Hollow (1999). In addition to this, Elfman has composed music for more than 40 other films, including Somersby (1993), Dolores Claibourne (1995), Good Will Hunting (1997), Men in Black (1997), and Spiderman (2002).

Beetlejuice was the first mainstream commercial success of the collaboration, but Batman was the film which marked Tim Burton's arrival as a major figure in Hollywood film direction, and equally established Danny Elfman as a film score composer, particularly in relation to action and fantasy genres. The score for Batman won a Grammy in 1989 and is an outstanding example of his collaboration with Burton as well as admirably demonstrating his particular talents and distinctive compositional voice. In particular, it displays the characteristic "darkness" of his orchestration in this genre and the means he uses to create a full length film score from what is often a relatively small amount of musical material, in this case the famous Batman theme.

This book examines Elfman's scoring technique and provides a detailed analysis and commentary on the Batman score. The film is discussed in the context of its comic-book origins and the fantasy-action genre, setting it and its score against the late 1970s and early 1980s equivalents such as Star Wars and Superman, and revealing how Burton and Elfman between them changed the cinematic idea of what a superhero is. The book also explores Elfman's musical background, his place within the film music industry and the controversy that sprang up following the release of B

About the Author

Janet K. Halfyard is a senior lecturer at Birmingham Conservatoire, a faculty of the University of Central England, where she teaches courses in film music, and twentieth century and contemporary music.