Synopsis
Dark times for Daredevil - and Elektra! When DD heads underground, he gets drawn into an ordeal involving Bushwacker, the Devourer and…Deathlok? But as things get explosive, is the biggest menace the underground King - or the rising Kingpin? Out of costume, it's Matt Murdock no more - now he's Jack Batlin, street hustler! But when a Kruel menace targets Matt's friends, "Jack's" old life quickly comes back to haunt him! It's time for the 'Devil to do a little soul-searching before his identity crisis pushes him over the edge! Will Nick Fury and the Punisher play a part in the return of the "real" Daredevil? Plus: DD's former flame, the assassin Elektra, stars in her own epic tale of darkness and deception - taking on the Hand and the sinister Snakeroot! Collecting DAREDEVIL (1964) #333-344 and ELEKTRA: ROOT OF EVIL #1-4.
About the Author
An editor and colorist as well as a writer, Gregory Wright provided both scripts and colors not only for Deathlok, but also for fellow 1990s favorites Morbius and Silver Sable. He also wrote both Daredevil and Nick Fury and colored Amazing Spider-Man, Captain America, Fantastic Four, X-Men: The Hidden Years and other Marvel titles. His DC work has been similarly wide-ranging, with coloring stints on such series as Batman, Nightwing, Starman, Teen Titans and Zero Hour: Crisis in Time. He has earned two Comics Buyer’s Guide Fan Awards for Favorite Colorist.
D.G. Chichester is an American comic book writer. Beginning in 1987, Chichester started writing comics for Marvel. His credits include Nick Fury: Agent of S.H.I.E.L.D. in 1990–1992, and Nightstalkers in 1992-1993. He had a long run on Daredevil from 1991 to 1995, where he scripted the "Fall of the Kingpin" and "Fall From Grace" story arcs.
Springing from the fertile ground of the U.K. comics scene, Warren Ellis came to Marvel during the early ’90s and proved his iconoclastic mettle in the ultra-edgy series Hellstorm and the limited series Druid — followed by fondly remembered extended runs on Excalibur and Doom 2099. After making a name for himself as a premier talent with Wildstorm’s Stormwatch, Transmetropolitan, The Authority and Planetary, Ellis returned to Marvel to pen Ultimate Fantastic Four, the Ultimate Galactus Trilogy, Iron Man and more. His Nextwave: Agents of H.A.T.E. was both a critical smash and a cult favorite. In addition to reviving the 1980s New Universe in newuniversal and writing Thunderbolts, Ellis took over Astonishing X-Men following Joss Whedon and John Cassaday’s departure, and penned perhaps the definitive story of the Armored Avenger in Iron Man’s “Extremis.” In addition, he offered a distinctively memorable new take on Moon Knight. His Wildstorm miniseries Red was adapted into a hit movie in 2010. Ellis broke into prose fiction with Crooked Little Vein and his New York Times best-selling novel Gun Machine.
After penciling the “Hero Killers” storyline for the 1992 Spider-Man annuals, Scott McDaniel collaborated with writer D.G. Chichester on a controversial Daredevil run in which the hero reunited with assassin Elektra, faked his death and donned a new armored costume. The storyline spun off into McDaniel and Chichester’s Elektra: Root of Evil miniseries. At DC, McDaniel has served as artist on Green Arrow; Richard Dragon; Superman; Trinity; and Batman titles and one-shots including Batman, Nightwing and Robin. He provided artwork for DC’s short-lived “Red Circle” imprint, penciled the Great Ten miniseries and served as writer/artist on the “New 52” incarnation of Static Shock.
Keith Pollard drew simultaneous runs on three of Marvel’s longest-running titles: Amazing Spider-Man, Fantastic Four and Thor, including Roy Thomas and Mark Gruenwald’s “Eternals Saga.” During the 1990s, he singlehandedly penciled hundreds of characters for the Official Handbook of the Marvel Universe: Master Edition.
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