Deadpool and Philosophy
Language: English
Published by Open Court Publishing Co ,U.S., US, 2017
- Softcover
- New

Seller: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
AbeBooks seller since June 10, 2025
Condition: New
US$ 31.03
Quantity: Over 20 available
Add to basketItem description from seller
Deadpool is the super-anti-hero who knows he's in a comic book. His unique situation and blood-stained history give rise to many philosophical puzzles. A group of philosophical Deadpool fans delve into these puzzles in Deadpool and Philosophy. For instance, if you know that someone is writing the script of your life, can you really be a hero? Is Deadpool really Wade Wilson, or did Wilson have his identity stolen by the monster who is now Deadpool? Are his actions predetermined by the writers, or does he trick the writers into scripting his choices? And what happens when Deadpool breaks into the real world to kill the writers? What kind of existence do literary characters have? How can we call him a moral agent for good when he still commits murder left and right and then left again and then right? Since Deadpool gets paid for his good deeds, can they be truly heroic? And which of the many Deadpool personalities are the real Deadpool? And of course, why does Deadpool love to annoy Wolverine so much? Deadpool challenges us to think outside the box. Deadpool and Philosophy shows us the profound implications of this most contradictory and perplexing comic book character.…
Seller Inventory # LU-9780812699494
- Title
- Deadpool and Philosophy
- Author
- Jacob Thomas May
- Publisher
- Open Court Publishing Co ,U.S., US
- Publication year
- 2017
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 10
- 0812699491
- ISBN 13
- 9780812699494
- Item weight
- 454 grams
- Series
- Book 100 of 125: Popular Culture and Philosophy
Is Deadpool really Wade Wilson, or did Wilson have his identity stolen by the monster who is now Deadpool? Are his actions predetermined by the writers, or does he trick the writers into scripting his choices? And what happens when Deadpool breaks into the real world to kill the writers? What kind of existence do literary characters have? How can we call him a moral agent for good when he still commits murder left and right and then left again and then right? Since Deadpool gets paid for his good deeds, can they be truly heroic? And which of the many Deadpool personalities are the real Deadpool? And of course, why does Deadpool love to annoy Wolverine so much?
Deadpool challenges us to think outside the box. Deadpool and Philosophy shows us the profound implications of this most contradictory and perplexing comic book character.
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