Paperback. The 2011 revolution put Egypt at the centre of discussions around radical transformations in global photographic cultures. But Egypt and photography share a longer, richer history rarely included in western accounts of the medium. Decolonizing images focuses on the country's local visual heritage, continuing the urgent process of decolonizing the canon of photography. It presents a new account of the visual cultures produced and exhibited in Egypt by interpreting the camera's ability to conceal as much as it reveals. The book moves from the initial encounters between local knowledge and western-led modernity to explore how the image intersects with the politics of representation, censorship, activism and aesthetics. It overturns Eurocentric understandings of the photograph through a compelling narrative of contemporary Egypt's indigenous visual culture. Decolonizing images focuses on Egypt's local visual heritage and continues the urgent process of decolonizing the canon of photography. It presents a new account of the visual cultures produced and exhibited in Egypt by interpreting the camera's ability to conceal as much as it reveals in a complex vision of decolonial difference. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Bibliographic Details

Title: Decolonizing Images (Paperback)
Publisher: Manchester University Press, Manchester
Publication Date: 2026
Language: English
ISBN 10: 1526194732
ISBN 13: 9781526194732
Binding: Paperback
Condition: new

About this title

Synopsis

The 2011 revolution put Egypt at the centre of discussions around radical transformations in global photographic cultures. But Egypt and photography share a longer, richer history rarely included in western accounts of the medium. Decolonizing images focuses on the country’s local visual heritage, continuing the urgent process of decolonizing the canon of photography. It presents a new account of the visual cultures produced and exhibited in Egypt by interpreting the camera’s ability to conceal as much as it reveals. The book moves from the initial encounters between local knowledge and western-led modernity to explore how the image intersects with the politics of representation, censorship, activism and aesthetics. It overturns Eurocentric understandings of the photograph through a compelling narrative of contemporary Egypt’s indigenous visual culture.

About the Author

Ronnie Close is an Associate Professor at the American University in Cairo

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