Depeche Mode FAQ : All That's Left to Know About the World's Finest Synth-pop Band

Christopher, Michael

ISBN 10: 1617137294 / ISBN 13: 9781617137297

Published by Backbeat, 2020

About this Item

Seller Inventory # 38678241-n

Bibliographic Details

• Title: Depeche Mode FAQ : All That's Left to Know About the World's Finest Synth-pop Band
• Publisher: Backbeat
• Publication Date: 2020
• Language: English
• ISBN 10: 1617137294
• ISBN 13: 9781617137297
• Binding: Soft cover
• Condition: New

About this title

Synopsis

The preeminent synth-pop outfit for four decades, Depeche Mode have endured an ever-shifting musical landscape, rising above fads and battles with personal demons, somehow managing to retain a hold on the charts and the audience, the latter which continues to grow as new generations discover them and become “devotees.”

Depeche Mode FAQ: All That's Left to Know About the World's Finest Synth-Pop Band shows how a group of schoolmates influenced by the likes of Kraftwerk, Joy Division, and mid-period David Bowie carved out their own musical niche until they became one of the most influential bands to come out of England. Depeche Mode were Europe’s best-kept secret in the early '80s with the albums Construction Time Again and the―perhaps―tongue-in-cheek-titled Music for the Masses. They became a worldwide phenomenon as the '90s dawned, with the landmark LP Violator, containing the smash hits "Personal Jesus," "Enjoy the Silence," and "Policy of Truth."

But success came at a price as depression, alcoholism, drug addiction, and personnel departures threatened to derail the band. It wasn’t a question of whether the music of Depeche Mode would be able to withstand fickle industry changes, but rather if the members of the group themselves could make it out alive. Depeche Mode FAQ shows how they did, becoming legends in the process.

About the Author

Michael Christopher is a writer and music journalist. A senior writer for the online music magazine Vanyaland, where he was a founding member and later managing editor, he contributes regularly to Ultimate Classic Rock, Loudwire, and LA Weekly. He also has a music and lifestyle column in The Daily Times, a newspaper in the Philadelphia metro region. His work has appeared in The Boston Phoenix, Boston Magazine, Rockpile, and Diffuser. He lives in Boston, building a respectable vinyl collection.