Partiendo del estudio de los mitos fundacionales acerca del origen y la naturaleza de la luz, de la visi�n y del invento de la imagen figurativa, el autor analiza con agudeza las principales manifestaciones pr�cticas en que se ha plasmado la expresi�n ic�nica en la cultura de la modernidad occidental, para desembocar finalmente en un nuevo mito, en el de penetrar en el interior de las im�genes, una aspiraci�n arcaica que hoy tiene su manifestaci�n m�s popular y expansiva en la tecnolog�a de la Realidad Virtual Inmersiva.

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