Tu pel�cula est� terminada. Ahora tiene que sobrevivir al servidor de la sala.

Un DCP no es "convertir un archivo de v�deo". Una copia puede ser rechazada en la ingesta, reproducirse con errores o llegar al festival en la versi�n equivocada — justo cuando ya no hay tiempo de rehacerla.

Este manual presenta un flujo completo y reproducible para crear, cifrar, verificar y entregar un Digital Cinema Package con software libre, sin licencias costosas: del m�ster que sale de postproducci�n al paquete que se proyecta en pantalla.

Con este libro aprender�s a:

- Entender la estructura interna del DCP: CPL, PKL, AssetMap y archivos MXF.
- Distinguir en la pr�ctica los paquetes Interop y SMPTE.
- Preparar imagen y audio: resoluci�n, cadencia, transformaci�n de color, canales y niveles.
- Crear paquetes con interfaz gr�fica y con l�nea de comandos, con par�metros documentados.
- Construir versiones OV y VF que reutilicen activos y a�adan idiomas y subt�tulos.
- Cifrar el contenido y generar KDM v�lidas para cada sala, equipo y ventana de exhibici�n.
- Verificar integridad, metadatos y reproducci�n antes del env�o.
- Diagnosticar los rechazos m�s comunes y decidir si se corrige o se regenera.

Cinco casos pr�cticos completos: un cortometraje para festival, un largometraje con mezcla 5.1, una distribuci�n multiling�e, un estreno cifrado y el diagn�stico de un paquete que falla en la entrega.

�Para qui�n es?
Cineastas independientes y cortometrajistas que env�an a festivales, t�cnicos de postproducci�n, responsables de mastering, distribuidores independientes y estudiantes de imagen y sonido. No requiere experiencia previa creando DCP.

Del m�ster a la pantalla: un procedimiento documentado para entregar cada copia con seguridad.

Forma parte de la serie POSTPRODUCCI�N: asistencia de edici�n, I/O en VFX, gesti�n de color, DCP y masterizaci�n audiovisual.

"About this title" may belong to another edition of this title.

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