The Director and Directing (Paperback)

Adam J. Ledger

ISBN 10: 1349681059 / ISBN 13: 9781349681051

Published by Palgrave Macmillan, Basingstoke, 2019

About this Item

Paperback. This book critically assesses the artistry of contemporary directors. Its discussion includes the work of Declan Donnellan, Thomas Ostermeier, Deborah Warner, Simon Stone and Krzysztof Warlikowski. Alongside the work of wider theorists (Patrice Pavis and Erika Fischer-Lichte), it uses neuroaesthetic theory (Semir Zeki) and cognitive and creative process models to offer an original means to discuss the performance event, emotion, brain structures and concepts, and the actors body in performance. It offers first-hand observation of rehearsals led by Katie Mitchell, Ivo van Hove, Carrie Cracknell and the Steppenwolf Theatre. It also explores devising in relation to the work of Simon McBurney and contemporary groups, and scenography in relation to the work of Dmitry Krymov, Robert Wilson and Robert Lepage. The Director and Directing argues that the director creates a type of knowledge, reward and resonant experience (G. Gabrielle Starr) through instinctive and expert choices. It also explores devising in relation to the work of Simon McBurney and contemporary groups, and scenography in relation to the work of Dmitry Krymov, Robert Wilson and Robert Lepage. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9781349681051

Bibliographic Details

• Title: The Director and Directing (Paperback)
• Publisher: Palgrave Macmillan, Basingstoke
• Publication Date: 2019
• Language: English
• ISBN 10: 1349681059
• ISBN 13: 9781349681051
• Binding: Paperback
• Condition: new

About this title

Synopsis

This book critically assesses the artistry of contemporary directors. Its discussion includes the work of Declan Donnellan, Thomas Ostermeier, Deborah Warner, Simon Stone and Krzysztof Warlikowski. Alongside the work of wider theorists (Patrice Pavis and Erika Fischer-Lichte), it uses neuroaesthetic theory (Semir Zeki) and cognitive and creative process models to offer an original means to discuss the performance event, emotion, brain structures and concepts, and the actor’s body in performance. It offers first-hand observation of rehearsals led by Katie Mitchell, Ivo van Hove, Carrie Cracknell and the Steppenwolf Theatre. It also explores devising in relation to the work of Simon McBurney and contemporary groups, and scenography in relation to the work of Dmitry Krymov, Robert Wilson and Robert Lepage. The Director and Directing argues that the director creates a type of knowledge, ‘reward’ and ‘resonant experience’ (G. Gabrielle Starr) through instinctive and expert choices.

              

      

About the Author

Adam J. Ledger is Reader in Theatre and Performance, University of Birmingham, UK. He has published widely on performance practice. His previous publications include Odin Teatret: Theatre in a New Century (Palgrave Macmillan) and chapters and articles on several international directors. He is co-artistic director of The Bone Ensemble.