Is there such a thing as a single Belgian cinema? A country that is culturally and linguistically divided between the Dutch-speaking Flanders and the francophone Brussels and Wallonia, Belgium is a contested site, and its fragile unity continues to be challenged by separatists. Nevertheless, the filmic output of this divided country merits serious attention, and Directory of World Cinema: Belgium is the comprehensive guides it richly deserves.

Featuring contributions from leading Belgian and international film scholars, the essays here examine the work and careers of the greatest names of Belgian cinema, from its pioneers to its modern age, while also investigating its lesser known productions and intersections with Belgian art, history, literature, and culture, as well as the legacies of social documentary, surrealism, and magical realism.

Small but mighty, Belgium has for the last decade produced an average of forty feature films a year, an extraordinary accomplishment for a country of just ten million. Directory of World Cinema: Belgium will find grateful readers in anyone interested in Belgian culture and identity.

About the Author

Jeremi Szaniawski is a Belgian graduate student at Yale University in the joint Slavic and Film Studies program.

Marcelline Block is a film historian, author, editor and translator. Her publications include, among others, World Film Locations: Paris; World Film Locations: Marseilles (and its French version, entitled Filmer Marseille); World Film Locations: Las Vegas; World Film Locations: Prague; World Film Locations: Boston; Fan Phenomena: Marilyn Monroe; French Cinema and the Great War: Remembrance and Representation; French Cinema in Close-up: La vie d'un acteur pour moi; An Anthology of French Singers from A to Z: Singin' in French; Situating the Feminist Gaze and Spectatorship in Postwar Cinema, and the French to English translation of Jean-Pierre Bertin-Maghit's Propaganda Documentaries in France: 1940-1944. Her writing has appeared in Afterall; Art Decades; the Big Picture Magazine; Cineaste; the Guardian; the Harvard French Review; Periodical; Soledad; Wages of Film, and Women in French Studies and has also been translated into Chinese, French, Italian, Korean, and Russian.
marcelline.contently.com
youtube.com/c/MarcellineBlock

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