Disorientation Bernard Rudofsky in the Empire of Signs (Paperback)
Language: English
Published by Sternberg Press, New York, 2020
- Softcover
- New

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Paperback. Viennese emigre architect Bernard Rudofsky (1905-1988) is most frequently recalled for curating "Architecture without Architects," the famous 1964 photography exhibition of vernacular, preindustrial structures at the Museum of Modern Art in New York. Far from simply a romantic or nostalgic invocation of cultures lost to industrial modernity, Rudofsky's exhibition drew on decades of speculations about modern architecture and urbanism, particularly their semantic, technological, institutional, commercial, and geopolitical influences.Focusing on Rudofsky's encounters with Japan in the 1950s--he described postwar Japan as a "rear-view mirror" of the American way of life--architectural historian Felicity D. Scott revisits the architect's readings of the vernacular both in the United States and Japan, which resonate with his attempts to imagine architecture and cities that refused to communicate in a normative sense. In a contemporary world saturated with visual information, Rudofsky's unconventional musings take on a heightened resonance.Critical Spatial Practice 7Edited by Nikolaus Hirsch, Markus MiessenFeaturing artwork by Martin Beck Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …
Seller Inventory # 9783956791871
- Title
- Disorientation Bernard Rudofsky in the Empire of Signs (Paperback)
- Author
- Felicity D. Scott
- Publisher
- Sternberg Press, New York
- Publication year
- 2020
- Condition
- new
- Binding
- Paperback
- Language
- English
- ISBN 10
- 3956791878
- ISBN 13
- 9783956791871
Viennese émigré architect Bernard Rudofsky (19051988) is most frequently recalled for curating Architecture without Architects, the famous 1964 photography exhibition of vernacular, preindustrial structures at the Museum of Modern Art in New York. Far from simply a romantic or nostalgic invocation of cultures lost to industrial modernity, Rudofsky's exhibition drew on decades of speculations about modern architecture and urbanism, particularly their semantic, technological, institutional, commercial, and geopolitical influences.
Focusing on Rudofsky's encounters with Japan in the 1950she described postwar Japan as a rear-view mirror of the American way of lifearchitectural historian Felicity D. Scott revisits the architect's readings of the vernacular both in the United States and Japan, which resonate with his attempts to imagine architecture and cities that refused to communicate in a normative sense. In a contemporary world saturated with visual information, Rudofsky's unconventional musings take on a heightened resonance.
Critical Spatial Practice 7
Edited by Nikolaus Hirsch, Markus Miessen
Featuring artwork by Martin Beck
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