Disorienting Vision: Rereading Stereotypes in French Orientalist Texts and Image

Inge E. Boer; Edited by Mieke Bal

ISBN 10: 9042017236 / ISBN 13: 9789042017238

Published by Rodopi, Amsterdam - New York, 2004

About this Item

Disorienting Vision: Rereading Stereotypes in French Orientalist Texts and Images [GENUS: Gender in Modern Culture 5] by Inge E BoerPaperback, 2004This book begins with a painting Loyalty to cultural artefacts, listening carefully to what they have to say, is the secret of Inge E Boer's approach to the French Orientalists tradition In a post-Said manner, Boer provides close readings of philosophical and literary texts, paintings, prints and other artefacts Her readings establish a dialogue with critical post-colonial and feminist theory as well as (art-) historical and literary scholarship She treats all these artefacts like subjects in their own right, enabling them to show and tell This dialogic attention to detail makes for an innovative vision that shuns the sweeping statements of a priori conviction, as much as avoiding the unwitting endorsements that the rhetoric of scholarship sometimes promotes In very good condition, close to like new Some scuffing and denting to cover No creasing Page edges slightly marked but quite clean and surfaces very clean, no writing, underlining, etc.

Seller Inventory # #BIBLIO-152

Bibliographic Details

• Title: Disorienting Vision: Rereading Stereotypes in French Orientalist Texts and Image
• Publisher: Rodopi, Amsterdam - New York
• Publication Date: 2004
• Language: English
• ISBN 10: 9042017236
• ISBN 13: 9789042017238
• Binding: Paperback
• Condition: Very Good
• Dust Jacket Condition: No Jacket

About this title

Synopsis

This book begins with a painting. Loyalty to cultural artefacts, listening carefully to what they have to say, is the secret of Inge E. Boer’s approach to the French Orientalists tradition. In a post-Said manner, Boer provides close readings of philosophical and literary texts, paintings, prints and other artefacts. Her readings establish a dialogue with critical post-colonial and feminist theory as well as (art-) historical and literary scholarship. She treats all these artefacts like subjects in their own right, enabling them to show and tell. This dialogic attention to detail makes for an innovative vision that shuns the sweeping statements of a priori conviction, as much as avoiding the unwitting endorsements that the rhetoric of scholarship sometimes promotes.

About the Author

Inge E. Boer was Associate Professor of Literary Studies at the University of Amsterdam.