Distant Early Warning Systems

Ian Hartman, Jonathon Keats

ISBN 10: 3777443190 / ISBN 13: 9783777443195

Published by Hirmer Verlag, DE, 2025

About this Item

Art, climate change and geopolitics at a time of rapid social and technological change. The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea and land invasion. Today, the Arctic is seen as a place primed for data storage and vaults - doomsday structures with a utilitarian vernacular of architecture, protecting the "knowledge" of places further south rather than recognising the local presence and expertise of place and Indigenous lifeways and Indigenous science. This book looks at the role of artists as early warning systems and explores the ways we connect and disconnect place and people through technology and the ideas of boundaries. With the DEW Line as a framework, Julie Decker examines ideologies of warning. The DEW Line is a symbol of both past and future. Today, we think about planetary boundaries, the boundaries of survival and other human limits.

Seller Inventory # LU-9783777443195

Bibliographic Details

• Title: Distant Early Warning Systems
• Publisher: Hirmer Verlag, DE
• Publication Date: 2025
• Language: English
• ISBN 10: 3777443190
• ISBN 13: 9783777443195
• Binding: Hardback
• Condition: New
• Dimensions: 7.01W x 1.1H x 9.02D inches 7.01 inches width by 1.1 inches height by 9.02 inches depth
• Weight: 1020 grams

About this title

Synopsis

Art, climate change, and geopolitics at a time of rapid social and technological change.

The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea and land invasion. Today, the Arctic is seen as a place primed for data storage and vaults––doomsday structures with a utilitarian vernacular of architecture, protecting the “knowledge” of places further south rather than recognizing the local presence and expertise of place and Indigenous lifeways and Indigenous science. This book looks at the role of artists as early warning systems and explores the ways we connect and disconnect place and people through technology and the ideas of boundaries.

With the DEW Line as a framework, Julie Decker examines ideologies of warning. The DEW Line is a symbol of both the past and future. Today, we think about planetary boundaries, the boundaries of survival, and other human limits.
 

About the Authors

Julie Decker is director and CEO of the Anchorage Museum in Alaska. She has curated numerous exhibitions and authored and edited publications on contemporary art, architecture, and the environment.

Charles Stankievech is an artist, writer, and curator. He is associate professor and director of visual studies in the Faculty of Architecture, Landscape and Design at the University of Toronto. In  2011, he co-founded the art and theory press, K. in Berlin.