- Softcover
- New

Seller: Rarewaves.com USA, London, London, United KingdomRarewaves.com USA
AbeBooks seller since June 11, 2025
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Add to basketSeller Inventory # LU-9798993261430
- Title
- Distorted
- Author
- Jim Detjen
- Publisher
- Katapult Press
- Publication year
- 2026
- Condition
- New
- Binding
- Paperback
- Language
- English
- ISBN 13
- 9798993261430
- Item weight
- 463 grams
What happens when narrative becomes more persuasive than memory?
In Distorted: The Psychology of Gaslighting, the Power of Story, and the Practice of Clarity, Jim Detjen explores how institutions, media systems, culture, technology, and language shape human perception in an age of accelerating informational pressure.
Blending psychology, history, philosophy, media analysis, and cultural observation, Distorted examines the mechanics of gaslighting and poetic truth—not simply as deception, but as systems of interpretation powerful enough to reshape memory, identity, trust, and public reality itself.
- Why do emotionally compelling narratives often overpower direct observation?
- Why do institutions change language faster than people can process it?
- Why does disagreement increasingly feel like disorientation?
Across politics, media, education, technology, economics, medicine, culture, family, and AI, Detjen traces the subtle choreography of distortion: denial, reframing, euphemism, emotional manipulation, narrative compression, and the erosion of confidence in one’s own perception.
But Distorted is not simply a critique of modern culture.
It is an inquiry into discernment.
A framework for maintaining clarity, orientation, and intellectual independence in environments shaped by acceleration, spectacle, emotional pressure, and institutional instability.
At its core, Distorted asks a deeper question:
How do individuals remain psychologically grounded when reality itself becomes contested terrain?
Part cultural analysis, part philosophical inquiry, and part field guide for the Information Age, Distorted challenges readers not merely to consume narratives—but to examine the systems, incentives, language, and frames shaping them.
Because the difference is rarely the event itself.
It is the frame around it.
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About the Author
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Rarewaves.com USA
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